Category: Articles

  • Sam Kinison Last Stand

    Sam Kinison Last Stand

    By Jane Wollman Rusoff
    With additional reporting by A.J.S. Rayl and Jon Weiderhorn
    Originally printed in Entertainment Weekly, No. 122
    Friday, June 12, 1992

    “That’s when you know you’re pretty f—ed up, when it makes sense to fall asleep… I was driving between Needles and Barstow… It’s about 120 miles of desert… It’s four in the morning, man… Hey, this is a pretty good time to go to sleep … (SCREAMS HYSTERICALLY) So I totaled this f—in’ car out, man!… I f—in’ totaled it! And it made SENSE at the time!…” — FROM THE “SAM KINISON FAMILY ENTERTAINMENT HOUR,” APRIL 4, 1991

    IRONY OF IRONIES: On April 10, 1992, almost a year after delivering that routine on HBO, Sam Kinison was killed in a head-on collision on that same stretch of arid desert road between Needles and Barstow, Calif., the same haunted section of U.S. Highway 95 that opens Hunter S. Thompson’s Fear and Loathing in Las Vegas. A 5’8″, 275-pounder whose appetites matched his bulk, a kamikaze comic known for his piercing screams and full-bellow takes on sex, religion, and drugs, Kinison was heading for a stand-up gig in Laughlin, Nev., five days after marrying his third wife, Malika Souiri, 27. Eleven miles north of Needles, a pickup driven by an allegedly beer-drinking 17-year-old smashed into Kinison’s Pontiac, leaving Souiri unconscious and the 38-year old comedian dead.

    The greatest irony of all: Everyone thought he’d die sooner. With his massive addiction to alcohol and drugs, Kinison had been pegged by his friends and even by himself for a John Belushi-style demise. He once joked with friends that he’s probably be found dead one day “with a couple of 16-year-old girls in a cheap motel with an ounce of blow and a scissors sticking out of my back.” That he should die just when he seemed to be chasing the demons from his life – not exactly clean and sober, according to the autopsy report, but closer than he’d come in years – simply made no sense. And still doesn’t. In the weeks since he died, Kinison’s friends and family have tried to come to some understanding of his death and life, especially of those last bound-for-hell years.

    Analyzing Kinison, once a troubled, rebellious child and later a holy-rolling preacher, they see a study in light-and-dark contrasts. He was “a shy little huggy bear,” says guitarist Joe Walsh, and also a man who “loved turmoil – that’s what made him tick,” says comic Allan Stephan, who often toured with Kinison. He had reportedly led a Black Mass or two in his time, yet “Jesus was always near his heart,” according to former girlfriend (and Jim Bakker nemesis) Jessica Hahn. He compulsively beat up men and women, yet was so respectfully devoted to his mother, Marie, that their relationship “was almost Elvis-like,” according to Sam’s brother, Bill.

    All of us are creatures of complexity, but in Kinison the contradictions ran to wild extremes. “Most people would go to the edge,” says his friend Robin Williams. “Sam would jump over it.”

    This is the trajectory of his fall.

    THE EARLY PART of his story is well known. Born in Peoria, Ill., the third son of four boys in a family of poor preachers, he was bred into anger – whether from his upbringing in poverty, to the devil, no one was ever able to determine fully. He worked as a Pentecostal evangelist from ages 18 to 25 but eventually found his true calling in comedy. Starting at a club in Houston and gravitating to the Los Angeles laugh circuit in 1981, Kinison got his break in 1985, when Rodney Dangerfield put him on his young Comedians HBO special and gave Kinison what he would later call “the six minutes that changed my life.”

    By 1987 Kinison had sold 100,000 copies of his album Louder Than Hell, hosted Saturday Night Live, appeared in Dangerfield’s movie Back to School, befriended the likes of Jon Bon Jovi, Ted Nugent, and Howard Stern, and was pulling in as much as $50,000 per concert gig. His comedy style was unlike anything ever heard – or, in his case, unlike anything ever heard outside of a psych ward: Addressing himself to starving Ethiopians, he roared: This is sand. Nothing grows here. Know what it’s gonna be like in a hundred years? It’s gonna be sand! you live in a f–ing desert! We have deserts in America – we just don’t live in them! Why don’t you move to where the food is?

    But at the same time Kinison was telling friends that he was having major problems dealing with success. “He didn’t know who to trust,” says Walsh. “All of a sudden everybody wanted to be his friend. One time he called, depressed and crying. He said, ‘Am I blowing it?’ Sam never quite believed in himself, and it tore him up.”

    It was around this period that Kinison’s rage, never completely repressed but now stoked by cocaine, began to explode. A pummeling of comic Mark Goldstein in front of Kinison’s stand-up alma mater, the Comedy Store, forced owner Mitzi Shore to give Kinison an ultimatum: “I told him I didn’t want him around until he cleaned himself up. He left and I didn’t see him again for two years.”

    His girlfriend at the time, comedian Tamayo Otsuki (Davis Rules), found life with Kinison too rough to take. “As a person, Sam was a complete screwup,” says Otsuki. “He had a nice, soft side, like a 5-year old boy. But he was heavily into drugs. I left him about 60 times during the two years we saw each other. He’d call and leave 50 messages on my machine in one day. I finally had to disconnect my phone and move. I had to disappear because he’d come to my house and break in. He broke the window, the door, my chairs. His ego was hurt. He said, ‘How can you leave Elvis?’”

    Malika Souiri, the Las Vegas dancer he started seeing after Otsuki and who he eventually married, describes her relationship with Kinison as “up and down like a roller coaster. I stood up to Sam lots of times, and I think he respected that.” Comedian Carl LaBove isn’t quite as delicate. “It was one of those drag-down, knock-down, fight-it-out relationships,” he says. “Sam took his punches too – she’s a kick-ass girl.”

    Early in 1988, Kinison’s career began to lose momentum. In February, United Artists sued him for essentially walking out of what would have been his first starring film: Atuk, a piece of fluff about an Eskimo that goes to New York. Although the case was settled out of court, word went around that Kinison was unreliable and impossible to work with. The powerful Creative Artists Agency had already dropped him as a client. Then in May Kinison was dealt a ravaging personal blow. His brother Kevin, 28, the baby of the family, shot himself to death in his parents’ house in Tulsa after suffering a nervous breakdown. Kinison was devastated and began thinking about suicide himself. “Till the day he died,” says Bill Kinison, “Sam was still moved to tears when he talked about Kevin.”

    The comic’s 1988 concert tour took in less than previous year’s, but that didn’t stop Kinison from playing the prodigal. He was paying off a house in Malibu and renting a four-bedroom apartment in Hollywood Hills. He spent lavishly on clothing, mostly from H. Lorenzo’s on Sunset Strip. He ate at Spago, Dan Tana’s, and the Palm and often left 100 percent of the bill as a tip. “He was very extravagant,” says comedian Richard Belzer. “Every meal was a celebration.” Although he dieted on and off, Kinison was a binger by nature. Descending on Ben Frank’s one night in 1988 with Hahn, his occasional date at the time, Kinison ordered sausages, bacon, eggs, buttermilk pancakes, and biscuits. “The grease made the Exxon oil spill look mild,” says Hahn. “And after eating all that, he said, ‘I feel good – want some dessert?’”

    And there were drugs. Always drugs. Kinison’s booze and cocaine intake, never stinting, now began to rival his food consumption. In fact, a rider in his performance contract required promoters to provide an oxygen tank backstage. Its purpose: to revive him between shows. Comic Doug Bady remembers seeing Kinison “sucking on and oxygen mask before a show. I wondered how was he ever going to get out there. He looked like he was going to fall asleep or pass out. But he would undergo a transformation almost, and by the time he got on stage, he was right on.”

    Avoiding unconsciousness was also a big challenge at home. “He hated to sleep,” says Hahn. “He’d practically have to pass out first.” One of Kinison’s domestic goals was to stay up till the early morning hours to watch reruns of his favorite childhood series, The Fugitive. Among his prized possessions was a pair of bar tabs signed by the show’s star, David Janssen.

    By 1990, Kinison was an outlaw. The mere rumble of his name meant trouble. His album Leader of the Banned was selling poorly, and MTV dropped his video from its rotation. HBO backed out of a projected special. On tour, he was so high one night, according to guitarist Randy Hansen, “The audience began throwing things at him and chanting ‘Refund! Refund! Refund! He was barely able to stand up.”

    Weirdness was everywhere. In June 1990, a 320-pound man, who had met Kinison hours before, allegedly attacked Souiri, who by this time was living with Sam, while the comic was passed out upstairs. She fired off four shots from one of Kinison’s many guns. The ensuing rape trial resulted in a hung jury and the case was dismissed, but the incident helped Souiri come to a definite conclusion about her life with Kinison.

    “The party was over,” she says. “I felt it was good for us to stop everything and start to live life to its fullest.” The two made a pact to go straight, and Kinison joined an Alcoholics Anonymous chapter, where he befriended fellow member Ozzy Osbourne. In March 1990, Kinison began telling audiences he was no longer getting high.

    The sad truth was that his new leaf stayed turned over for only a few months. After that, clean and sober was more of an image than a reality for Kinison. According to Randy Hansen, “Sam told me, ‘What’s important is that the audience believes I quit. Whether I’m doing drugs or not is none of their business. What I want them to know is that I don’t encourage anything…and that I try to be a role model.’ He wanted to get rid of that image of, ‘Yeah, let’s go get f–ed-up and party.’”

    It’s said that even a fleeting exposure to the AA program can affect one’s life. So it was with Kinison. Though he was still drinking, his drug consumption went down, and he and Souiri slowly settled into a routine, non partying domestic life. The industry took notice. Kinison guest-starred on a Christmas episode of Fox’s Married…With Children in 1990, racking up the show’s highest ratings, and began negotiating for his own Fox series, Charlie Hoover.

    But maintaining the new image wasn’t easy. In July 1991, Kinison missed an hour-long appearance on The Joan Rivers Show because he was too drunk to get our of New York City’s Plaza Hotel. Rivers admits she was furious but says, “Sam was devastated by it. He was upset because he thought he might lose his role in his series, which was to start in a few months. He really cared, for all the talk about his not giving a shit. He wanted the success. He was a pro and knew that a pro has to act in a certain manner.”

    Charlie Hoover, a series of microscopic concept, featured Kinison as Tim Matheson’s 12-inch-high alter ego. Kinison didn’t put much stock in the show, but he showed up for work every day. And when it was canceled this February after a three-month run, Kinison had no regrets. He already has a few paths mapped out. On April 14, four days after he died, he was supposed to have signed with New Line Cinema, his first film contract since 1988; the two-movie deal called for a concert film and a comedy with either Arnold Schwarzenegger or Rick Moranis. That same day, Kinison was scheduled to sign with Fox for a variety show, a comedy hour patterned after the old Jackie Gleason Show, with Sandra Bernhard as his possible co star. This was going to be a good year.

    Kinison was in a celebratory mood on April 5, when he married Souiri at the Candlelight Chapel in Las Vegas. They honeymooned for two days in Hawaii. “It was the most relaxed I’d ever sen him,” says Souiri. “This time, it seemed like it was really coming together.”

    Two days later, Sam and Malika set off for his gig in Laughlin, with brother Bill and other friends following in a van. Bill saw the pickup truck heading directly toward Kinison’s car. With a steep embankment on his right, Sam had no room to maneuver. Both vehicles went straight up in the air on collision and crashed back down. Majid Khoury, Kinison’s personal assistant, who was in the van, found Sam “lying on his side diagonally across the seat, facing Malika, as if covering her at the time of impact. He was trying to get up and saying, ‘I don’t understand it. I don’t understand it. How come?’”

    Then he lost consciousness and though CPR was attempted, Kinison lived only about three or four minutes after the accident. At the hospital, Souiri says, “I forced my way in to see Sam. I wanted to kiss him. But when I tried, blood came out of his mouth. I wanted something of him. I wanted anything on me – even his blood. It may sound sick, but I put some of his blood on my chest, over my heart.”

    The death certificate states that Sam Kinison died of “multiple traumatic injuries.” The autopsy results, released May 27, showed signs of cocaine and prescription drugs in his system. The 17-year-old driver, who was allegedly drinking beer at the time of the accident, has been charged with vehicular manslaughter. A pretrial hearing was set for June 1.

    In an interview last year, Kinison said that while his career was doing just fine, life was another story. “It seems to be one tragedy followed after another,” he said. “Just about the time you think life’s perfect, and you got it just the way you want it, something else comes up that breaks your heart, devastates you. And then you gotta get over that, and try to trust again, believe again, and set up for the next tragedy.”

    Or, as he said on the highway between Needles and Barstow, “I don’t understand it.”

  • Tranquilizers, Cocaine Found in Kinison’s System

    Tranquilizers, Cocaine Found in Kinison’s System

    By Associated Press
    Originally printed in The Los Angeles Times
    Friday, May 29, 1992

    SAN BERNARDINO — Comedian Sam Kinison had traces of cocaine and tranquilizers in his system when he was killed in a head-on collision last month, an expert who reviewed autopsy findings said.

    Kinison, who told in 1990 of kicking his drug addiction, was traveling with his new wife on a desert highway April 10 when his car was hit by a truck that crossed the center line while attempting to pass traffic.

    Besides cocaine, autopsy findings indicate Kinison had the prescription tranquilizers Valium and Xantac in his system as well as the prescription painkiller codeine, said Dr. Irving Root, who retired as the San Bernardino County coroner’s chief pathologist in 1991.

    Deputy Coroner Gabriel Morales said that Kinison, 38, suffered multiple traumatic injuries to the chest cavity and died within minutes of the crash near Needles. “Drugs did not contribute to the cause of death,” Morales said. “(But) we are not saying that he wasn’t under the influence.”

  • Tribute: Sam Kinison (1953-1992)

    Tribute: Sam Kinison (1953-1992)

    By David Wild
    Originally printed in Rolling Stone, Issue 631
    May 28th, 1992

    “SAM KINISON was absolutely fearless,” says Robin Williams. “He was like a comedy combination of Chuck Yeager and Evel Kneivel. Most people go to the edge and then stop. Not Sam. He’d see the edge and then just keep going. And I think that scream he was famous for was just the sound he made on the way down.”

    That love of the edge was the key to Kinison’s appeal. And his anguished primal scream was mote than a successful comic trademark; it was a rebel yell that shook both the sensitivities of the politically correct and the “just say no” proprieties of the Reaganites. At his best, the Pentecostal preacher turned slash-and-burn comedian managed to make bad taste somehow taste good. He may very well have paved the way for less gifted loudmouth comedians. But he was also, in the words of gonzo talk show host Howard Stern – a close friend and bad-boy conspirator – “the closest thing we has to our Lenny Bruce.” That voice was silenced on April 10th, when Kinison was killed at the age of thirty-eight in a car accident near Needles, California.

    The son of a preacher man, Kinison was raised in East Peoria, Illinois, and while still a teenager found himself in the family business, spending a few years as a traveling preacher. But as an associate told ROLLING STONE in 1989, “God wasn’t big enough for Sam to hang out with.” Soon enough, Kinison found his true calling. By the early Eighties, his hyper-insensitive stand-up was drawing crowds at L.A.’s Comedy Store. His material included darkly comic observations on such topics as religion, starvation in Ethiopia and marriage (he was twice divorced). “I guess they’re tough jokes,” Kinison said in 1986. “But there’s lots of things you either laugh or cry at. And you just can’t cry.”

    “There was no censor with Sam,” says Robin Williams, one of Kinison’s earliest supporters. “It was almost like he had nonstop Tourette’s syndrome. He couldn’t stop saying the things that everyone else might think but was afraid to say. I’ll never forget the time I saw him do five incredible minutes on the subject of sodomy and then a few minutes later had him introduce me to his mother. People sometimes forget how good he was and lump him in with Dice Clay, but Sam really had the stuff.”

    “He’ll definitely be remembered,” says Rodney Dangerfield, another early booster, “because someone that funny and that wild you don’t forget.”

    With his oversized Outlaws of Comedy entourage and his babushkaed Steven Tyler-meets-the-Muppets look, Kinison often seemed more like a rock star than a comedian. He packed large concert halls, sold hundreds of thousands of records, had a hit single with his version of “Wild Thing” and made the cover of ROLLING STONE in 1989. The video for “Wild Thing” showed Kinison cavorting with PTL scandal figure Jessica Hahn (with whom Kinison had a brief and stormy affair) and a cast of well-known hard rockers. Kinison embraced the hard-living, hard-rocking metal lifestyle and befriended many musicians. The members of Motley Crue released a statement that said, “If God didn’t have a sense of humor before, he does now.” Kinison was, according to many who knew him well, a warm, generous and at times childlike man with a spiritual streak. “He hated to even hear the word religion,” says Jessica Hahn, “but he was definitely a man who loved God. He had a cross inside the lining of that long coat he used to wear. It was no joke to him.”

    Ironically, Kinison seemed to be cleaning up his act in the end. He had joined Alcoholics Anonymous, apologized to gay groups for some of his controversial AIDS material and appeared on the Fox sitcom Charlie Hoover in an attempt to prove he could behave professionally. And just five days before his death, he had married his longtime girlfriend Malika Souiri.

    “Some people seem almost disappointed that Sam didn’t die from his excesses,” says Howard Stern. “Anyone who writes that guy off as the Fatty Arbuckle of the Eighties – some wild, partying maniac with zero talent – is just completely missing the point. He was a major talent with a brilliant comic mind. Sam’s bad night was a lot more interesting than just about anyone else’s best night.”

    “I usually don’t like having comedians on my show,” says Stern, “because they’re for the most part just personas, one shtick line after another. Sam was totally different – he was utterly real. I think if Sam had fucked his own sister, he would have called me on the ait the very next day to talk about it. And he would have made it funny, too. That sort of honesty got Sam in trouble, but it was also what made him incredible to listen to.”

    “Sam could always surprise you.” says Stern. “I remember one time he was on our show, and I’d gotten an earring, and he seemed to want one, too. I told him I’d go with him. And he said: ‘Oh, no, I can’t do that. My mother will kill me.’ I said, ‘You’re overweight, you’re and admitted alcoholic, you do all this cocaine, and you’re worried about what your mother will think of an earring?’ But he was dead serious.”

    “I’ve never seen a stronger human being,” Stern says. “Anyone else would have been dead from the way Sam carried on. I remember when he called right after an AA meeting to tell me how cool it was. He was so proud of the one-month chip they’d given him. Then a month later he’d show up with a one-day chip. But he was real proud of that chip. That’s why this is all such an irony. I always thought Sam would come to his senses and say enough is enough. And according to him brother Bill, he’d come to that conclusion in the end. It’s hard to know what direction Sam would have gone in, but whatever happened to him, he would have gotten a few more great hours of stand-up out of it. And now we’ll never know.”

  • Teen in Crash Used Alcohol, CHP Says

    Teen in Crash Used Alcohol, CHP Says

    By Times Staff and Wire Reports
    Originally printed in The Los Angeles Times
    Tuesday, April 14, 1992

    A Las Vegas teen-ager who drove his truck into comedian Sam Kinison’s car had been drinking alcohol before the fatal collision, authorities said Monday.

    California Highway Patrol Officer Don Woelke said the 17-year-old driver had alcohol on his breath Friday night when investigators arrived at the scene of the crash, near the California-Nevada border. They also found open beer cans in the cab of the youth’s truck, Woelke said.

    The youth is being held at San Bernardino County Juvenile Hall.

    Kinison, 38, was killed when the truck swerved into his lane and struck his car on U.S. 95.

  • Private Memorial Services to Be Held for Kinison in L.A.

    Private Memorial Services to Be Held for Kinison in L.A.

    By: Times Staff and Wire Reports
    Originally printed in The Los Angeles Times
    Monday, April 13, 1992

    A private memorial service will be held for comedian Sam Kinison on Wednesday in Los Angeles, and Kinison will be buried in Tulsa, Okla., on Friday, his publicist said Sunday.

    Kinison, killed Friday in a head-on crash in the California desert, will be buried near his mother’s home, said Bill Kinison, the late comic’s brother and manager.

    Kinison, 38, was killed when a pickup truck carrying two teen-agers swerved into his lane and struck his car on U.S. Highway 95, authorities said.

    His 26-year-old wife, Malika, suffered a concussion in the crash, which occurred near the California-Nevada border. She was transferred from Needles Desert Community Hospital to an undisclosed hospital in Los Angeles on Sunday–one week after she and Kinison had wed.

    The passenger in the pickup, Glen Moren, 18, of Las Vegas was also released from the Needles hospital Sunday, the Associated Press reported. The truck’s driver, a Las Vegas 17-year-old, was being held at San Bernardino County Juvenile Hall on suspicion of vehicular manslaughter, officials said.

  • An Appreciation: Kinison’s Unfinished Howl

    An Appreciation: Kinison’s Unfinished Howl

    By Lawrence Christon
    Times Staff Writer
    Originally printed in The Los Angeles Times
    Monday, April 13, 1992

    His piercing anger, protest now will never know a resolution we can share

    None of the TV anchors knew quite what to make of Sam Kinison when news of his death came over the wire early Saturday morning. “The loud comedian,” most of them called him, struggling to make do with a meaninglessly vague adjective, then running a silent interview clip in which, with brushed shoulder-length blond hair and faintly rubicund face, he looked like an amiable Friar Tuck dispensing words of comfort and reassurance to his unseen listener.

    If anything, Kinison was a manifestation of acute discomfort, and that’s why he’s remembered, even if TV’s public memory is shrouded with incomprehension.

    The circumstance of his death–a head-on auto collision with an allegedly drunk driver speeding along the wrong side of a highway double line–may well have made the news on the strength of its spectacular brutality regardless of who the victim was. Obviously, Kinison made the top of the hour because he was a celebrity of sorts, a famous comedian, a show-biz person. But there’s more. While it’s saddening to see any career cut down before its arc has been completed, Kinison represents unfinished business, a piercing howl of anger and protest that now will never know a resolution we can share.

    There’s no denying he was a base figure. Sam Kinison came along in the mid-’80s as a shock trooper of the American subconscious. On top, we had the sunny Reagan presidency and its fond avuncular approval of the get-rich-quick ethos–BMWs and lucrative paper chases for insiders and the thirtysomething crowd, and “Morning in America” promises for the rest of the electorate left holding its hand out. Hidden underneath, we had the palpable beginning of what now festers in abundance: urban rot, virulent racial and ethnic division, sexual rage, the dumbing-down of the young, the relentless commercial manipulation of our modern social coin–the public image.

    Kinison planted his squat legs like a fierce troll by a bridge, skewed his face into a florid rage, and screamed. That was his act. There was no pretense of comedic refinement, of structure and build and the bait-and-switch line that is comedy’s stock in trade. A Sam Kinison joke didn’t hit the media wire and zip through the country like one of Johnny Carson’s political zingers. It was usually crude, misogynistic, homophobic or wrongheaded–for a while he was the most aggressively misinformed comedian of his generation when it came to understanding AIDS.

    Nor was his fury particularly new. “Network’s” irate Howard Beale galvanized the country in 1977 with the line, “I’m as mad as hell and I’m not going to take this anymore.” In the ’60s, what else could you hear first in Jimi Hendrix’s rhythmically twisted “Star-Spangled Banner” but dizzying distress? In the ’50s, Allen Ginsberg delivered “Howl” and William Burroughs gave us the precursor to the primal scream–the sensation of waking up in the morning with thick petroleum jelly smeared on your lips.

    But Kinison was a creature of the ’80s’ excesses and frustrations. His alcohol and drug habit were common knowledge, and he tried to do what the other prevailing wild things did. He made record albums (“Louder Than Hell” and “Have You Seen Me Lately?”). He made a stab at the movies (Rodney Dangerfield’s “Back to School” and the aborted “Atuk”). He appeared on TV’s “Saturday Night Live” and “Late Night With David Letterman” and was an MTV regular. He also played Tim Matheson’s conscience on Fox-TV’s “Charlie Hoover.”

    But he really wasn’t cut out for anything other than live performance (he was driving to a gig when he was killed), and his wrestling with Jessica Hahn on his “Wild Thing” video seemed a damning symbol of the visible degradation some people will endure to achieve celebrity. Watching that video, you couldn’t tell if he was making a statement or if he was trying to see how far he could fall.

    Comedians are the shrewdest judges of each other’s talent. It’s telling that none of his peers begrudged him his success. “He’s honest,” you’d hear them say. Or, “You may not like his material, but it comes out of a core of real conviction.” The comic they name as his ostensible colleague but de facto opposite, the figure they generally disdain as a phony, is Andrew Dice Clay.

    Kinison was the unhappy son of an impoverished Pentecostal minister in Peoria, Ill., and for a while became a minister himself before he married (at 21) and divorced (at 25), and then gave up the calling (“I was getting too hip for the room,” he told an interviewer). He married and divorced yet again. Years later, one of his brothers committed suicide. His spiritual and sexual pain formed an underlying emotional truth that carried him a lot farther into his audience’s sixth sense than did his actual comment. There are times when it all gets to be too much, when there’s nothing to do but scream. For that, he was the man of the hour.

    It’s impossible to tell now if Kinison would ever have been able to get out of the shockmeister ’80s, when he made this statement: “I’m so tired of men who’re afraid to hurt women’s feelings. Then you turn on the tube and you watch somebody like Roseanne Barr or Joan Rivers who just slam men: ‘Men are jerks . . . losers’ and we’re supposed to stand around and act like women are perfect.” It needed to be said then, but cannot with good conscience be said now, not after the Clarence Thomas-Anita Hill hearing. And where that primal scream once seemed tonic and even cathartic, now it would only unnerve us as we make our way through the white noise of everyday anxiety and urban terror.

    Who can tell? He was capable of enlightenment, and maybe his new marriage might have brought him the peace he never knew. But the violence of his end is particularly haunting: a troubled man meeting a senseless, smoldering end on a strip of desert highway under a half-moon. His was a peculiarly American story.