Tag: Hollywood

  • Haunted Hollywood: The ‘Atuk’ Curse

    Haunted Hollywood: The ‘Atuk’ Curse

    By: Neda Raouf
    Originally printed in The Los Angeles Times
    Sunday, February 21, 1999

    Montgomery Clift hangs out at the Hollywood Roosevelt. Lon Chaney frequents a corner bus stop. Joan Crawford’s dog won’t leave her former home. The latest tale to join the burgeoning ranks of haunted Hollywood lore is the buzz that surrounds a decade-old script named “Atuk,” a comedy about an Eskimo. In its quest to become a film, it has passed through the hands of famously oversized–and prematurely deceased–comedians Sam Kinison, John Candy and Chris Farley.

    The rumored superstition surrounding the script is news to screenwriter Tod Carroll. “No matter what anybody’s impression was, I think it’s either coincidence or practical explanation,” says Carroll, 51, when reached at his new Tucson, Ariz., home.

    Carroll, who penned the 1988 movie “Clean and Sober,” based “Atuk” on Canadian author Mordecai Richler’s book, “The Incomparable Atuk,” a satire about an Eskimo on his first trip out of Alaska, which is to New York. Originally, Kinison was attached to the role. “When it came time to start filming, Sam wanted it rewritten,” says Carroll. “Once they started shooting it, it had accumulated a lot of costs.” The production eventually shut down, and Candy and Farley, among others, read it and expressed interest. United Artists has retained the rights and the film project remains in turnaround. “I’m not a superstitious person,” Carroll says, “and it doesn’t have any meaning to me.”

    On screenwriting hiatus to write a murder mystery, Carroll hasn’t heard about plans to revive the script, to his disappointment. “With the right actor and right tone,” he says, perhaps a bit cautiously, “it may have been a nice movie.”

  • Sam Kinison: The Last Laugh

    Sam Kinison: The Last Laugh

    By Laurel Fishman
    Originally printed in Rip
    October 1992

    One evening soon after Sam Kinison’s tragic death in a senseless auto accident, the marquees of every nightclub on the Sunset Strip blazed with farewell messages in memory of the fun loving evangelist-turned comedian. It was only right, as Sam lived to rock as mush as shock. His friends and confidantes, the rockers who performed, hung out and starred with him in his videos, will always remember Sam as a one-of-a-kind, truly individual and irreplaceable presence. The public Sam was outrageous, controversial, outspoken, loud and always larger than life. In private, the man who became an ordained minister at 18 revealed a more thoughtful, kind and playful side. He was gracious with his time and hospitality; a compassionate soul who was as ready to lend a sympathetic ear as he was to party with the heartiest.

    Ozzy Osbourne drummer Randy Castillo, one of Sam’s closest musical buds, recently took some time to look on his adventures with the funnyman. It was Randy who shared Sam’s final days, his idyllic honeymoon in Kona, Hawaii. During that trip, the two became closer than ever, sipping tropical drinks and talking, says Randy, “about life and death. We has the time of our lives. I got the last photo of Sam ever, and it’s a really eerie picture. We had a villa overlooking the ocean, and he’s standing there as the sun’s going down. It’s a silhouette of him looking at his watch, almost as if to say, ‘There’s not a lot of time left.’” As the two watched the sun set, Sam told Randy, “This is heaven. This is where all your friends go when they die.”

    “Those last days were like a gift, really magical,” Randy reflects. “We laughed and laid on the beach. I woke up one day when we were there, and he wasn’t around. He came back an hour later with the weirdest stuff – Addams Family cereal, a bunch of kids toys – just dumb things. He was like a little Santa Claus. Robin Williams described him perfectly at the services. He said, ‘Sam Kinison was the antichrist you wanted to cuddle.’ Everybody laughed. That’s the way Sam would have wanted it.”

    Playing shows with Sam was a blast, Randy says. “He was such a magnet for people. You could have any rock star around him, and he’s be the center of attention. The guy knew how to work a room.”

    Randy describes the off-stage Sam Kinison as a “gentle, beautiful, sharing, caring kind of guy.” He was so generous, Randy says, that “he would never let me pick up tabs. Never. Sometimes I’d have to sneak off and pay the waiter! He was big because he has a big heart, and his body had to contain all of it. I’m gonna miss him as long as I live. There’s a big, empty space only he could fill. Right now I think Sam’s in Hawaii, his favorite place, his version of heaven. Sam’s still on the stage, and he’s everybody up there!”

    “Sam became a very dear friend to me while we were doing ‘Wild Thing,’” says ex-Poison guitarist C.C. DeVille, another of Sam’s friends. “I’ve always believed in God, but I was always confused about religion. Sam made sense when he’d talk about spirituality. He was such a sweet and gentle man.”

    One of C.C.’s favorite Sam stories happened when Sam took him out to dinner once. “We went to Spago,” C.C. says. “In a restaurant like that there are, like, five forks and knives and a little spoon and a big spoon. I was very embarrassed because I didn’t know the order in which you pick up the cutlery to eat your meal. I was thinking, If I pick up the wrong one, people will think I’m an idiot. So I quietly go, ‘Sam, what fork do I use?’ He goes, ‘With the prices they charge here, you and use your hands! But,’ he continues, ‘You normally go from the outside in.’ Not only did he zap it to me, but he zapped it to the restaurant in true Kinison style!”

    C.C.’s most treasured memory is the time Sam told him, “My father’s dead, and I have no choice. I can’t go see him. Your mother and father are still alive, and you have the opportunity to see them. Nothing lasts forever. While you have the time, grab it.”

    “Sam was a mentor to me,” C.C. says. “There is no handbook on how to handle becoming famous, how to behave when suddenly people are treating you differently. Sam taught me to have a little class. When you’re in the public eye, people only get to see a certain side of you. With Sam, being a comic was the thinnest slice of a big pizza. He was intelligent. He’s make you think; he’d scare the shit out of you. It seems like someone put 500 years of wisdom in this man’s body. With us, it was like a senior/junior thing. I knew he loved me, but he knew I was learning from him.”

    C.C. recalls how Sam could walk into a restaurant, and “everyone just became Sam and would yell ‘Hey, Sam!!’ The decibel level would be like the Los Angeles airport! Sam had that thing. He had an aura that got there 20 minutes before he did! We would jam at Spice [a nightclub in Hollywood] all the time, and Sam would intentionally go on out of tune, just to frustrate the other musicians! Sam was a great piano player too. He loved Paul McCartney, and no one could do Paul like Sam could. He’s sing and play and, I swear, something came over him.”

    C.C. calls Sam a “genius comedian who raised issues. How he made humor of those issues was his genius. There was always a message. He would attack things other people wouldn’t, things other people were scared to talk about.”

    “He’s with me now, I know it,” C. C. concludes. “I know Sam’s out there trying to guide me and make sure I do good. I love him. I will miss him dearly. I was just a kid, and he was the guy who taught me what fork to use!”

    “Sam offended a lot of people,” says Ozzy Osbourne, the judge in Sam’s “Under My Thumb” video. “With entertainment, you’ll make people happy, and you’ll also make people pissed off. Sam Kinison was kinda like the Ozzy Osbourne of the comic world. He was nothing but a gentleman though. We had many good times. Sam was a man with a big heart. He was a teddy bear, a big naughty kid. I’d say, ‘Sam, c’mon, I’m not on welfare, let me buy a drink.’ But he’d say ‘No, no, no, I’ll get this.’ He’d never let me buy a drink. He was great, one of the guys, you know. But, boy, when he partied, he partied! I still can’t believe that he’s gone. It’s, ‘I’m gonna wake up in a minute. I’m dreaming this. ‘ But I have great memories.”

    “Apparently when Sam had the accident, I heard he got out of the car and look up to the heavens and said, ‘I don’t want to die,’ and then just said, ‘Oh, okay,’ and laid down and died. It sounds crazy and will probably offend a lot of my fans, but I believe there’s a higher power. Some people may think Sam Kinison’s in one place, but I know where he is: He’s upstairs; he’s next to God.”

    Fred Coury (ex-Cinderella drummer) and Stephen Pearcy (ex-Ratt singer), now playing together in a band called Taboo, worked with Sam live and on video. “Sam was the kind of guy you met and felt like you had known for a long time,” says Fred. “So much with Sam was so funny. It’s easier to say what wasn’t funny about the guy! One time we were playing at the Universal Amphitheater [in L.A.]. Joe Walsh was there, and all these people. We were doing this jam, everyone was getting into it, and Sam yells into the mic, ‘Everybody solo!’ There were, like, 12 guitar players, and they all started soloing at once. It was just the most ridiculous thing you ever heard in your life! It was terrible, but so funny that I started laughing so hard that I couldn’t play!”

    “You could talk to Sam about anything, really, and even if his answer was a funny one, it would get the point across and make you feel better. He cared about people. No matter who it was, he’s take the time to say hello. I never, ever had a bad time with Sam. It’s an amazingly great loss; but to me, it seems like a friend who moved away that I won’t see. I just can’t think of him any other way. It really just wouldn’t be right if I did.”

    Remembering Sam’s star-studded “Wild Thing” video shoot, Stephen says, “The guy was cracking jokes and rolling all over the floor with Jessica Hahn and making fun of the whole situation. Everybody was laughing. To have that many people under one roof – Steven Tyler, Joe Perry, Warren DeMartini, Slash, Billy Idol, Dweezil – that was memorable. Sam’s the only person who could bring that many rock ‘n’ roll people together to have a party at a video!”

    Dweezil Zappa shared a mutually supportive relationship with Sam. “I remember we were in Vancouver one time for a charity softball game,” he says. “Sam was the umpire. It was the celebrity team versus the charity supporters of the event, and we were winning the game by a bunch of points. Sam made continuous bogus calls so the other team could not only catch up to us, but beat us! You’d go up to bat, and he’s look at you and say, ‘You’re out!’ You couldn’t argue with him, ’cause he had the loudest mouth!”

    “I got invited to do a show with him not long before his accident. I wasn’t able to do it, and it never occurred to me that I’d never see him again. You never know when you could lose a friend in your life. Sam was a sweetheart. At times, he had material that made people uncomfortable, but everyone has a choice to listen or not. Sam would be having a helluva time with the next couple of years in America, with the decline of civilization! He had a hysterical perspective on things, especially human nature.”

    Lita Ford played last year’s New Year’s Eve show with Sam at the Aladdin Hotel in Las Vegas. “When Sam wasn’t cracking jokes, he was so incredibly nice,” she remembers. “That’s one thing that really surprised me when I met him. Some of his jokes were so rude, but he was warm, down-to-earth, caring, full of compliments. He did things that most people would never do. His brother told me he gave some poor people money once when he didn’t have the money himself.”

    Lita was also impressed with how family-oriented Sam was. “That shows what kind of person he was,” she says. “He always traveled with his brother Bill. At the Aladdin, his mom was there too. His family was there the whole time.”

    Lita was nervous about attending Sam’s memorial service, because she didn’t know what to expect. “There were cameras all over the place, and loads of people,” she says. “Everyone was trying to hold back their tears. Robin Williams gets up and says, ‘I know you’re all just waitin’ for that coffin to pop open and Sam to jump out ad go, “A-A-AOW!” ‘ Everyone started laughin’ and cryin’. It was a really funny, happy, warm, friendly sort of service, full of tears and laughter. Everybody joked and told personal experiences they’s had with Sam. When his sister sang some gospel music, it was really neat. Sam had a whole other side to him. He was a preacher from Oklahoma, and he was that rock ‘n’ roll bad boy.”

    Rock ‘n’ roll bad boy, genius comedian, gentleman, mentor. A magnet, a sweetheart, a teddy bear, a big naughty kid. The antichrist that you wanted to cuddle. Take your pick. Sam Kinison was all of these , and so much, much more.

  • Sam Kinison Last Stand

    Sam Kinison Last Stand

    By Jane Wollman Rusoff
    With additional reporting by A.J.S. Rayl and Jon Weiderhorn
    Originally printed in Entertainment Weekly, No. 122
    Friday, June 12, 1992

    “That’s when you know you’re pretty f—ed up, when it makes sense to fall asleep… I was driving between Needles and Barstow… It’s about 120 miles of desert… It’s four in the morning, man… Hey, this is a pretty good time to go to sleep … (SCREAMS HYSTERICALLY) So I totaled this f—in’ car out, man!… I f—in’ totaled it! And it made SENSE at the time!…” — FROM THE “SAM KINISON FAMILY ENTERTAINMENT HOUR,” APRIL 4, 1991

    IRONY OF IRONIES: On April 10, 1992, almost a year after delivering that routine on HBO, Sam Kinison was killed in a head-on collision on that same stretch of arid desert road between Needles and Barstow, Calif., the same haunted section of U.S. Highway 95 that opens Hunter S. Thompson’s Fear and Loathing in Las Vegas. A 5’8″, 275-pounder whose appetites matched his bulk, a kamikaze comic known for his piercing screams and full-bellow takes on sex, religion, and drugs, Kinison was heading for a stand-up gig in Laughlin, Nev., five days after marrying his third wife, Malika Souiri, 27. Eleven miles north of Needles, a pickup driven by an allegedly beer-drinking 17-year-old smashed into Kinison’s Pontiac, leaving Souiri unconscious and the 38-year old comedian dead.

    The greatest irony of all: Everyone thought he’d die sooner. With his massive addiction to alcohol and drugs, Kinison had been pegged by his friends and even by himself for a John Belushi-style demise. He once joked with friends that he’s probably be found dead one day “with a couple of 16-year-old girls in a cheap motel with an ounce of blow and a scissors sticking out of my back.” That he should die just when he seemed to be chasing the demons from his life – not exactly clean and sober, according to the autopsy report, but closer than he’d come in years – simply made no sense. And still doesn’t. In the weeks since he died, Kinison’s friends and family have tried to come to some understanding of his death and life, especially of those last bound-for-hell years.

    Analyzing Kinison, once a troubled, rebellious child and later a holy-rolling preacher, they see a study in light-and-dark contrasts. He was “a shy little huggy bear,” says guitarist Joe Walsh, and also a man who “loved turmoil – that’s what made him tick,” says comic Allan Stephan, who often toured with Kinison. He had reportedly led a Black Mass or two in his time, yet “Jesus was always near his heart,” according to former girlfriend (and Jim Bakker nemesis) Jessica Hahn. He compulsively beat up men and women, yet was so respectfully devoted to his mother, Marie, that their relationship “was almost Elvis-like,” according to Sam’s brother, Bill.

    All of us are creatures of complexity, but in Kinison the contradictions ran to wild extremes. “Most people would go to the edge,” says his friend Robin Williams. “Sam would jump over it.”

    This is the trajectory of his fall.

    THE EARLY PART of his story is well known. Born in Peoria, Ill., the third son of four boys in a family of poor preachers, he was bred into anger – whether from his upbringing in poverty, to the devil, no one was ever able to determine fully. He worked as a Pentecostal evangelist from ages 18 to 25 but eventually found his true calling in comedy. Starting at a club in Houston and gravitating to the Los Angeles laugh circuit in 1981, Kinison got his break in 1985, when Rodney Dangerfield put him on his young Comedians HBO special and gave Kinison what he would later call “the six minutes that changed my life.”

    By 1987 Kinison had sold 100,000 copies of his album Louder Than Hell, hosted Saturday Night Live, appeared in Dangerfield’s movie Back to School, befriended the likes of Jon Bon Jovi, Ted Nugent, and Howard Stern, and was pulling in as much as $50,000 per concert gig. His comedy style was unlike anything ever heard – or, in his case, unlike anything ever heard outside of a psych ward: Addressing himself to starving Ethiopians, he roared: This is sand. Nothing grows here. Know what it’s gonna be like in a hundred years? It’s gonna be sand! you live in a f–ing desert! We have deserts in America – we just don’t live in them! Why don’t you move to where the food is?

    But at the same time Kinison was telling friends that he was having major problems dealing with success. “He didn’t know who to trust,” says Walsh. “All of a sudden everybody wanted to be his friend. One time he called, depressed and crying. He said, ‘Am I blowing it?’ Sam never quite believed in himself, and it tore him up.”

    It was around this period that Kinison’s rage, never completely repressed but now stoked by cocaine, began to explode. A pummeling of comic Mark Goldstein in front of Kinison’s stand-up alma mater, the Comedy Store, forced owner Mitzi Shore to give Kinison an ultimatum: “I told him I didn’t want him around until he cleaned himself up. He left and I didn’t see him again for two years.”

    His girlfriend at the time, comedian Tamayo Otsuki (Davis Rules), found life with Kinison too rough to take. “As a person, Sam was a complete screwup,” says Otsuki. “He had a nice, soft side, like a 5-year old boy. But he was heavily into drugs. I left him about 60 times during the two years we saw each other. He’d call and leave 50 messages on my machine in one day. I finally had to disconnect my phone and move. I had to disappear because he’d come to my house and break in. He broke the window, the door, my chairs. His ego was hurt. He said, ‘How can you leave Elvis?’”

    Malika Souiri, the Las Vegas dancer he started seeing after Otsuki and who he eventually married, describes her relationship with Kinison as “up and down like a roller coaster. I stood up to Sam lots of times, and I think he respected that.” Comedian Carl LaBove isn’t quite as delicate. “It was one of those drag-down, knock-down, fight-it-out relationships,” he says. “Sam took his punches too – she’s a kick-ass girl.”

    Early in 1988, Kinison’s career began to lose momentum. In February, United Artists sued him for essentially walking out of what would have been his first starring film: Atuk, a piece of fluff about an Eskimo that goes to New York. Although the case was settled out of court, word went around that Kinison was unreliable and impossible to work with. The powerful Creative Artists Agency had already dropped him as a client. Then in May Kinison was dealt a ravaging personal blow. His brother Kevin, 28, the baby of the family, shot himself to death in his parents’ house in Tulsa after suffering a nervous breakdown. Kinison was devastated and began thinking about suicide himself. “Till the day he died,” says Bill Kinison, “Sam was still moved to tears when he talked about Kevin.”

    The comic’s 1988 concert tour took in less than previous year’s, but that didn’t stop Kinison from playing the prodigal. He was paying off a house in Malibu and renting a four-bedroom apartment in Hollywood Hills. He spent lavishly on clothing, mostly from H. Lorenzo’s on Sunset Strip. He ate at Spago, Dan Tana’s, and the Palm and often left 100 percent of the bill as a tip. “He was very extravagant,” says comedian Richard Belzer. “Every meal was a celebration.” Although he dieted on and off, Kinison was a binger by nature. Descending on Ben Frank’s one night in 1988 with Hahn, his occasional date at the time, Kinison ordered sausages, bacon, eggs, buttermilk pancakes, and biscuits. “The grease made the Exxon oil spill look mild,” says Hahn. “And after eating all that, he said, ‘I feel good – want some dessert?’”

    And there were drugs. Always drugs. Kinison’s booze and cocaine intake, never stinting, now began to rival his food consumption. In fact, a rider in his performance contract required promoters to provide an oxygen tank backstage. Its purpose: to revive him between shows. Comic Doug Bady remembers seeing Kinison “sucking on and oxygen mask before a show. I wondered how was he ever going to get out there. He looked like he was going to fall asleep or pass out. But he would undergo a transformation almost, and by the time he got on stage, he was right on.”

    Avoiding unconsciousness was also a big challenge at home. “He hated to sleep,” says Hahn. “He’d practically have to pass out first.” One of Kinison’s domestic goals was to stay up till the early morning hours to watch reruns of his favorite childhood series, The Fugitive. Among his prized possessions was a pair of bar tabs signed by the show’s star, David Janssen.

    By 1990, Kinison was an outlaw. The mere rumble of his name meant trouble. His album Leader of the Banned was selling poorly, and MTV dropped his video from its rotation. HBO backed out of a projected special. On tour, he was so high one night, according to guitarist Randy Hansen, “The audience began throwing things at him and chanting ‘Refund! Refund! Refund! He was barely able to stand up.”

    Weirdness was everywhere. In June 1990, a 320-pound man, who had met Kinison hours before, allegedly attacked Souiri, who by this time was living with Sam, while the comic was passed out upstairs. She fired off four shots from one of Kinison’s many guns. The ensuing rape trial resulted in a hung jury and the case was dismissed, but the incident helped Souiri come to a definite conclusion about her life with Kinison.

    “The party was over,” she says. “I felt it was good for us to stop everything and start to live life to its fullest.” The two made a pact to go straight, and Kinison joined an Alcoholics Anonymous chapter, where he befriended fellow member Ozzy Osbourne. In March 1990, Kinison began telling audiences he was no longer getting high.

    The sad truth was that his new leaf stayed turned over for only a few months. After that, clean and sober was more of an image than a reality for Kinison. According to Randy Hansen, “Sam told me, ‘What’s important is that the audience believes I quit. Whether I’m doing drugs or not is none of their business. What I want them to know is that I don’t encourage anything…and that I try to be a role model.’ He wanted to get rid of that image of, ‘Yeah, let’s go get f–ed-up and party.’”

    It’s said that even a fleeting exposure to the AA program can affect one’s life. So it was with Kinison. Though he was still drinking, his drug consumption went down, and he and Souiri slowly settled into a routine, non partying domestic life. The industry took notice. Kinison guest-starred on a Christmas episode of Fox’s Married…With Children in 1990, racking up the show’s highest ratings, and began negotiating for his own Fox series, Charlie Hoover.

    But maintaining the new image wasn’t easy. In July 1991, Kinison missed an hour-long appearance on The Joan Rivers Show because he was too drunk to get our of New York City’s Plaza Hotel. Rivers admits she was furious but says, “Sam was devastated by it. He was upset because he thought he might lose his role in his series, which was to start in a few months. He really cared, for all the talk about his not giving a shit. He wanted the success. He was a pro and knew that a pro has to act in a certain manner.”

    Charlie Hoover, a series of microscopic concept, featured Kinison as Tim Matheson’s 12-inch-high alter ego. Kinison didn’t put much stock in the show, but he showed up for work every day. And when it was canceled this February after a three-month run, Kinison had no regrets. He already has a few paths mapped out. On April 14, four days after he died, he was supposed to have signed with New Line Cinema, his first film contract since 1988; the two-movie deal called for a concert film and a comedy with either Arnold Schwarzenegger or Rick Moranis. That same day, Kinison was scheduled to sign with Fox for a variety show, a comedy hour patterned after the old Jackie Gleason Show, with Sandra Bernhard as his possible co star. This was going to be a good year.

    Kinison was in a celebratory mood on April 5, when he married Souiri at the Candlelight Chapel in Las Vegas. They honeymooned for two days in Hawaii. “It was the most relaxed I’d ever sen him,” says Souiri. “This time, it seemed like it was really coming together.”

    Two days later, Sam and Malika set off for his gig in Laughlin, with brother Bill and other friends following in a van. Bill saw the pickup truck heading directly toward Kinison’s car. With a steep embankment on his right, Sam had no room to maneuver. Both vehicles went straight up in the air on collision and crashed back down. Majid Khoury, Kinison’s personal assistant, who was in the van, found Sam “lying on his side diagonally across the seat, facing Malika, as if covering her at the time of impact. He was trying to get up and saying, ‘I don’t understand it. I don’t understand it. How come?’”

    Then he lost consciousness and though CPR was attempted, Kinison lived only about three or four minutes after the accident. At the hospital, Souiri says, “I forced my way in to see Sam. I wanted to kiss him. But when I tried, blood came out of his mouth. I wanted something of him. I wanted anything on me – even his blood. It may sound sick, but I put some of his blood on my chest, over my heart.”

    The death certificate states that Sam Kinison died of “multiple traumatic injuries.” The autopsy results, released May 27, showed signs of cocaine and prescription drugs in his system. The 17-year-old driver, who was allegedly drinking beer at the time of the accident, has been charged with vehicular manslaughter. A pretrial hearing was set for June 1.

    In an interview last year, Kinison said that while his career was doing just fine, life was another story. “It seems to be one tragedy followed after another,” he said. “Just about the time you think life’s perfect, and you got it just the way you want it, something else comes up that breaks your heart, devastates you. And then you gotta get over that, and try to trust again, believe again, and set up for the next tragedy.”

    Or, as he said on the highway between Needles and Barstow, “I don’t understand it.”

  • Short Takes: Man Charged in Kinison Incident

    Short Takes: Man Charged in Kinison Incident

    From Times Wire Services
    Originally printed in The Los Angeles Times
    Monday, June 25, 1990

    A man who allegedly attacked comedian Sam Kinison’s girlfriend in the comic’s Hollywood Hills home was charged today with three counts of rape and two other related felonies.

    The district attorney’s office charged Unway L. Carter, 22, with three counts of rape and one count each of rape with a foreign object and forcible oral copulation.

    Carter was to be arraigned later today in Los Angeles Municipal Court. He is charged with raping Kinison’s girlfriend last Thursday in the comic’s Hollywood Hills home. After the alleged sexual assault, the victim picked up a .44-caliber revolver and fired four shots at her attacker, but missed.

    Kinison was home asleep during the incident, police said.

    Carter, who is 6 feet, 5 inches tall and weighs 300 pounds, met Kinison the night before and was possibly acting as a bodyguard for the comic, police said.

  • Why I Wear What I Wear: Sam Kinison, Tastefully

    Why I Wear What I Wear: Sam Kinison, Tastefully

    Originally printed in GQ
    June 1989

    Luckily, his wardrobe is more lighthearted than his humor

    HEY, KIDS! TRY THIS ONE AT HOME: Open all your doors and windows. Turn the volume on your stereo way up. Snap in a Sam Kinison comedy album, hit the “play” button and…

    “AAAAAAAWAAAARGH!!!”

    … get to meet many of your neighbors right away. Yessiree. Sam Kinison, that weird-looking, long-haired, overcoat-clad Prince of Public Obscenity, that Round Mound of Vituperation, tends to bring people together. Angry people. People who, for … some reason, take offense at his mega-decibel attacks on just about everybody. Last year, Warner Bros. Records took the unprecedented step of printing a public disclaimer – “THE MATERIAL ON THIS ALBUM DOES NOT REFLECT THE VIEWS OR OPINIONS OF WARNER RECORDS” – on the cover of Kinison’s live-concert album, Have You Seen Me Lately?

    What Warners just might have been worried about was Kinison’s onstage endorsement of misogyny (“I don’t worry about terrorism. I was married for TWO YEARS!!!!) and take on rock stars speaking out against drugs (“‘Rock Against Drugs’? Somebody must have been high when they came up with that title. It’s like ‘Christians Against Christ.’ Rock CREATED DRUGS!!!) and on drunk driving (“We don’t want to. You don’t get *&%$!!-ed up to see how well you do on the test later. But there’s not other way to get our *&%*!!! CAR BACK TO THE HOUSE!!!!”)

    There’s no doubt, however, that Warners is disclaiming Kinison’s remarks about gays and AIDS. “Heterosexuals die of it, too?” he asks rhetorically on the album. Then: “NAME ONE!!!!!!”

    To counterbalance this screed, the record company will be including information sheets about AIDS in future pressings of Kinison’s records. But it is too later to deflect the outrage that numerous gay and women’s groups have expressed over Kinison’s sense of humor.

    On the other hand, thousand of rabid fans – and a few critics, too – have shown admiration for Kinison. To them, his ear-splitting jokes are a sort of much-needed psychic Drano – and Kinison is a talented combination of Lenny Bruce, Ralph Kramden and Morton Downy Jr.

    And notably, nobody has accused Kinison of putting us on – of coming by his anger and alienation dishonestly. His own life story is too authentically bizarre for that: Born thirty-five years ago in Peoria, Illinois, Kinison was the rock-and-roll-loving son of an itinerant Pentecostal preacher. When he was 15, he was sent away to a Pentecostal seminary in upstate New York. After a year and a half, he managed to escape and spent the next couple of years on the road, a Seventies hippie drifter. That’s where he rediscovered God: During the next five years and one marriage, he resumed his former life and preached the Gospel on his travels throughout the Midwest.

    God canceled his management agreement in 1978, and Kinison moved to Los Angeles to break into comedy. For a while he was the doorman at the Comedy Store on Sunset Boulevard; late at night, when only the drunks were left, he’d refine his raging, primal-scream approach to comedy. Nothing much – except poverty – happened until 1985, when Rodney Dangerfield, an admirer, got him onto his HBO special. Then came the part of the deranged prof in Dangerfield’s Back To School. The the Letterman spots, the censored drug jokes on Saturday Night Live, the albums, the MTV guest-hosting, the nationwide tours, the house in Malibu, the lead role in the United Artists film Atuk – and the $5-million lawsuit UA filed against Kinison when it didn’t like either his rewrites of his attitude and shut down the production.

    Kinison was taking a much-needed break from arduous touring when freelance writer Andy Meisler visited him at a rented house overlooking the Chateau Marmont, famous site of John Belushi’s final check-out. There were a couple of surprises: The offstage Kinison, a good-humored host who gladly led an impressive tour through his overflowing closets, breaks into asterisks, ampersands and exclamation points only every few minutes or so; and those trademark overcoats, far from being thrift-shop castoffs, are actually $1,400 European-designer originals.

    “In the last couple of years, I guess I’ve spent six figures on clothes,” says the gnomish Kinison, not at all surprised that GQ has come to call. “I figure I spend a lot of time shopping. Eight to ten days a month, I go out and buy.”

    “Yeah, I guess you could say that I’s a real clothes whore.”

    I suppose the obvious question is: Do you have good taste in clothes? I think so. Especially for a large guy. I think i bring a little sense of fashion for fat guys, to be blunt. But it’s a different kind of look – an outlaw-runaway look. Half rock star, half modern kind of pirate. A modern-day bandit chieftain.

    Are you a loud dresser?

    No. No, I don’t think so. One reason is my size. It would stand out too much. And I don’t care for real loud clothes on men. I would say that about 80 percent of my wardrobe is black.

    Which fashion trend setters do you admire?

    Mostly rock stars, I guess. I’ve always thought of my comedy in terms of rock and roll. I think Sting is real sharp. I like the stuff he wears. Clapton is a very sharp dresser, too.

    When did you first start wearing your trademarks – those big overcoats and berets?

    Just before the first HBO special. What happened was that a guy named Tom Hedley – he wrote Flashdance, and came up with the ripped sweatshirt and all that – told me that [the overcoats] were going to be really big that fall. And I thought, Well, I can get a jump on all the other comics. It would be something people could identify me with.

    And now I love ’em. They’re like those dusters from the Old West. The Long Riders, you know? And as Rodney once told me, “Hey man, you never have to worry about what you’re going to wear.” I can show up in any condition, with just about anything on underneath, and throw on the long coat and the beret and do a show.

    I’ve basically kept up with one tradition: Everytime I do a television shot, I wear a different long coat. Now I’ve got about twenty, thirty of them hanging in my closet. I’ve got one from Kenzo. Another one’s from Harrods in London. I wore that one on my second Letterman shot. But it’s funny. After I wear them once in front of an audience, I don’t want to wear them anymore.

    The beret? That was something that women put me hip to a long time ago – which was, if your hair is messed up, wear a hat.

    That makes sense. But I noticed a lot of clothes in your closet that don’t exactly fit your image as a wild man.

    Oh, sure. I’ve got some suits by Nino Cerruti, and Bernini, and a tux by Pierre Cardin. I’ve got lots and lots of dress shirts. I like those shoes by Bally, and Capezio slippers. I’m also into short leather jackets that I can just pile myself into and wear around.

    Are your onstage and offstage wardrobes any different?

    Well, I really don’t wear the long coats much offstage. That sort of changes the look completely. Also, up there I wear ripped T-shirts a lot. There’s something about being able to tear up your clothes. After the show’s over, I just like to come backstage and – GRRRRR!- rip myself out of my clothes. It feel great.

    I guess it does. Have you always been this interested in clothes?

    Even when I was a kid. See, I was raised very poor, and I got into the idea of looking good in nice clothes. I really wanted to look nice and to have the finer things in life. To look “Hollywood” and really be somebody. That seemed more important to me than to the other people around.

    Which brings up your days as a preacher. What did you wear back then? Were you better dressed than your audience?

    Yeah. A minister is almost like an entertainer. It’s important that he be dressed up, really classy. Back then I had forty-five suits -conservative three-piece suits. Basically, that was all I wore. I was “Brother Kinison” from the time I woke up to the time I went to bed.

    And it felt good. It made me feel like an executive. Like, “Hey, I’m doing something important here.”

    That reminds me: I noticed some conventional suits in your closet. Some Perry Ellis, some Ungaro. Where would you wear those suits these days?

    Oh, to a business meeting. If I was going to meet with my manager or with my lawyer. If I was going to be sued by United Artists… FOR FIVE MILLION DOLLARS!!!

    I detect a bit of hostility. Are you a hostile guy? Do you not like women , for instance?

    Like women? I &n$*!! love women. I’m just tormented by them like everybody else. For some reason the image gets interpreted as misogynic, but it’s not.

    I mean – somebody who doesn’t like women doesn’t go shopping for them, that’s for sure.

    You mean you buy clothes for your girlfriends?

    Sure. My girlfriends get bored every couple of weeks, and you have to buy them new clothes and stuff. I just go down to the stove and have them show me three or four ensembles, and they pick out what they want out of those.

    have any of your girlfriends ever tried to change your look?

    No, because I wouldn’t have listened.

    How would they dress you if they could?

    Oh, God. Probably big $%&*$ sweaters and some corduroy pants. Those big oversized shirts. I don’t know.

    Sounds awful.

    Yeah. But what else would they pick out for you? They go, “This is nice.”

    “Nice” is not exactly the word. But one more question: What do you wear when you don’t want to be recognized?

    That’s a problem. Sometimes I try something bland, like a jogging outfit. And I wear sunglasses, and a big hat. But I don’t know. Maybe it’s my size, the hair, the shape of my face. But people just look at me and see right through it.

    I’m walking down the street and people shout, “Oh! Oh! Oh!” Then I just say, “$&%**! it. I’m dead.”