Tag: Motley Crue

  • Tribute: Sam Kinison (1953-1992)

    Tribute: Sam Kinison (1953-1992)

    By David Wild
    Originally printed in Rolling Stone, Issue 631
    May 28th, 1992

    “SAM KINISON was absolutely fearless,” says Robin Williams. “He was like a comedy combination of Chuck Yeager and Evel Kneivel. Most people go to the edge and then stop. Not Sam. He’d see the edge and then just keep going. And I think that scream he was famous for was just the sound he made on the way down.”

    That love of the edge was the key to Kinison’s appeal. And his anguished primal scream was mote than a successful comic trademark; it was a rebel yell that shook both the sensitivities of the politically correct and the “just say no” proprieties of the Reaganites. At his best, the Pentecostal preacher turned slash-and-burn comedian managed to make bad taste somehow taste good. He may very well have paved the way for less gifted loudmouth comedians. But he was also, in the words of gonzo talk show host Howard Stern – a close friend and bad-boy conspirator – “the closest thing we has to our Lenny Bruce.” That voice was silenced on April 10th, when Kinison was killed at the age of thirty-eight in a car accident near Needles, California.

    The son of a preacher man, Kinison was raised in East Peoria, Illinois, and while still a teenager found himself in the family business, spending a few years as a traveling preacher. But as an associate told ROLLING STONE in 1989, “God wasn’t big enough for Sam to hang out with.” Soon enough, Kinison found his true calling. By the early Eighties, his hyper-insensitive stand-up was drawing crowds at L.A.’s Comedy Store. His material included darkly comic observations on such topics as religion, starvation in Ethiopia and marriage (he was twice divorced). “I guess they’re tough jokes,” Kinison said in 1986. “But there’s lots of things you either laugh or cry at. And you just can’t cry.”

    “There was no censor with Sam,” says Robin Williams, one of Kinison’s earliest supporters. “It was almost like he had nonstop Tourette’s syndrome. He couldn’t stop saying the things that everyone else might think but was afraid to say. I’ll never forget the time I saw him do five incredible minutes on the subject of sodomy and then a few minutes later had him introduce me to his mother. People sometimes forget how good he was and lump him in with Dice Clay, but Sam really had the stuff.”

    “He’ll definitely be remembered,” says Rodney Dangerfield, another early booster, “because someone that funny and that wild you don’t forget.”

    With his oversized Outlaws of Comedy entourage and his babushkaed Steven Tyler-meets-the-Muppets look, Kinison often seemed more like a rock star than a comedian. He packed large concert halls, sold hundreds of thousands of records, had a hit single with his version of “Wild Thing” and made the cover of ROLLING STONE in 1989. The video for “Wild Thing” showed Kinison cavorting with PTL scandal figure Jessica Hahn (with whom Kinison had a brief and stormy affair) and a cast of well-known hard rockers. Kinison embraced the hard-living, hard-rocking metal lifestyle and befriended many musicians. The members of Motley Crue released a statement that said, “If God didn’t have a sense of humor before, he does now.” Kinison was, according to many who knew him well, a warm, generous and at times childlike man with a spiritual streak. “He hated to even hear the word religion,” says Jessica Hahn, “but he was definitely a man who loved God. He had a cross inside the lining of that long coat he used to wear. It was no joke to him.”

    Ironically, Kinison seemed to be cleaning up his act in the end. He had joined Alcoholics Anonymous, apologized to gay groups for some of his controversial AIDS material and appeared on the Fox sitcom Charlie Hoover in an attempt to prove he could behave professionally. And just five days before his death, he had married his longtime girlfriend Malika Souiri.

    “Some people seem almost disappointed that Sam didn’t die from his excesses,” says Howard Stern. “Anyone who writes that guy off as the Fatty Arbuckle of the Eighties – some wild, partying maniac with zero talent – is just completely missing the point. He was a major talent with a brilliant comic mind. Sam’s bad night was a lot more interesting than just about anyone else’s best night.”

    “I usually don’t like having comedians on my show,” says Stern, “because they’re for the most part just personas, one shtick line after another. Sam was totally different – he was utterly real. I think if Sam had fucked his own sister, he would have called me on the ait the very next day to talk about it. And he would have made it funny, too. That sort of honesty got Sam in trouble, but it was also what made him incredible to listen to.”

    “Sam could always surprise you.” says Stern. “I remember one time he was on our show, and I’d gotten an earring, and he seemed to want one, too. I told him I’d go with him. And he said: ‘Oh, no, I can’t do that. My mother will kill me.’ I said, ‘You’re overweight, you’re and admitted alcoholic, you do all this cocaine, and you’re worried about what your mother will think of an earring?’ But he was dead serious.”

    “I’ve never seen a stronger human being,” Stern says. “Anyone else would have been dead from the way Sam carried on. I remember when he called right after an AA meeting to tell me how cool it was. He was so proud of the one-month chip they’d given him. Then a month later he’d show up with a one-day chip. But he was real proud of that chip. That’s why this is all such an irony. I always thought Sam would come to his senses and say enough is enough. And according to him brother Bill, he’d come to that conclusion in the end. It’s hard to know what direction Sam would have gone in, but whatever happened to him, he would have gotten a few more great hours of stand-up out of it. And now we’ll never know.”

  • The Man Who Would Be King of Metal

    The Man Who Would Be King of Metal

    By Patrick Goldstein
    Originally printed in The Los Angeles Times
    Sunday, March 18, 1990

    Could Sam Kinison be rock’s new head-banger hero?

    The heavy-metal comic, who boasts “I can play guitar at least as well as (Guns N Roses guitarist) Slash, is hoping to cross-over from comedy to rock audiences with his new album, “Leader of the Banned.” Due March 27 from Warner Bros. Records, “Banned” features an entire side of thundering metal, including new versions of AC/DC’s “Highway to Hell,” Mountain’s “Mississippi Queen,” Cheap Trick’s “Gonna Raise Hell” and the Rolling Stone’s “Under My Thumb,” which will be the first single.

    Now touring the Midwest with his comedy show, Kinison says he’s trying to put together an all-star band “who could go out with me and maybe even open for Motley Crue on their tour.” The Crue, who have cleaned up their act, would be a perfect match for Kinison, who says he has “cut out the booze” and is attending AA meetings.

    It’s hard to say whether he’s more proud of his sobriety or his new album, which features such hotshots as Poison’s CC De Ville, Guns N Roses’ Slash, Bon Jovi keyboardist David Bryam, Whitesnake bassist Rudy Sarzo, Dweezil Zappa and rock vet Leslie West.

    “Listen, I’ve been playing guitar since I was 15,” Kinison said. “I’m not intimidated by these guys. I may not be as good as CC De Ville, but it’s not like I’m William Shatner doing ‘Lucy in the Sky with Diamonds.’”

    But is rock radio ready for Kinison? “I haven’t heard the record yet, but if the songs are good, we’ll play ’em,” said KLOS-FM program director Carey Curelop. “He certainly won’t be penalized because he’s a comedian. Eddie Murphy had a big hit–he wasn’t treated like a novelty artist. So if Sam’s serious about making a good rock record, we’ll treat him seriously.”

    Kinison said his video for “Under My Thumb” is set in a courtroom, with a tentative cast featuring Ozzy Osbourne as the judge, Paul Williams as Kinison’s attorney, “Married With Children’s” Dave Faustino as a defendant and a jury of 12 sexy dancers. “We have a bit where I put on these special X-ray glasses so I can look at the girls and see their lingerie,” Kinison explained. “We only cast dancers who were born after the Kennedy assassination. We tried to come up with everything that would shock MTV.”

    When it comes to shock, Kinison is a master (though he’s covered his bets with the video channel by having Dweezil appear in his clip playing a guitar in the shape of MTV’s logo). His last album was so incendiary that Warners put two warning stickers on the jacket–and inserted an AIDS awareness pamphlet because gay activists were so outraged by Kinison’s jokes about AIDS. This time around “Banned” is “being treated like a regular release,” said Warners publicity chief, Bob Merlis. “There’s no firestorm of controversy that I’ve heard of.”

    In fact, Warners let Kinison design his own warning sticker, which will read: “Pan Am 103: The Truth Must Be Known. Explicit Language and Material: Parental Advisory.”

    Kinison says Warners only added its warning stickers and AIDS pamphlet to his previous album under pressure. “I feel I really got singled out last time,” he complained. “They put so many stickers on my last album that you couldn’t even see my (expletive) face! Comedy isn’t a pack of cigarettes. It doesn’t need a surgeon general’s report on it. I always get blamed for being a (jerk). But play Andrew Dice Clay’s record and tell me who the gay-basher is.”

    With arch-rival Clay now performing rock music in his concert act too, relations between the two contenders for the title of King of the Metal Comics have soured considerably.

    “We get along about as well as Poison and Warrant,” said Kinison, referring to a pair of feuding rock bands. “Dice is the Morton Downey Jr. of comedy–his career is gonna burn up like Larry Storch. I think he saw me do my act and said, ‘Duh, I’ll put on the leather jacket and insult everybody,’ as if no one would notice he was ripping off my (expletive) jokes! Now he’s even closing his shows with an all-star jam, except no all-stars ever show up!

    “When he reads I might do four or five songs with a rock band, he’ll probably do it too. I’m surprised I haven’t seen him come out wearing a long coat and a beret already.”

  • Press Release: Have You Seen Me Lately?

    Press Release: Have You Seen Me Lately?

    October 1988

    A comedy explosion has swept across America in the ’80s, and in 1985, its most potent weapon was introduced to the public, Sam Kinison. From the minute he blasts onto the stage, Kinison, an ex-preacher, takes his audiences over the edge with his powerful approach which pushes comedy to its darkest, and often loudest, limits.

    Kinison’s meteoric rise to the top has brought him fans of all types, ranging from the wild heavy-metal set to the John Does of America, and he has been applauded with an equal fervor from the critics. With a non-stop work schedule that includes films, concert, records and television specials, there is no doubt that Kinison’s controversial topics and behavior will continue ruffling feathers well into the ’90s. It’s in his blood.

    His October ’88 album release on Warner Bros. Records, Have You Seen Me Lately?, is filled with Kinison’s trademark hard-hitting monologues. Kinison’s approach is outrageous, challenging, and hysterically funny, and it finds him jumping headlong into monologues about taboos, preacher scam artists, the Pope, sex, drugs, and rock and roll. With titles such as, “Robo-Pope,” “The Story of Jim (Bakker),” “Jesus The Miracle Caterer,” “Lesbians Are Our Friends,” “Pocket Toys,” “Parties With The Dead,” and “Sexual Diaries,” Kinison leaves no stone unturned.

    The LP also finds Kinison embarking on his adventurous singing debut on the revised remake of the Troggs classic, “Wild Thing.” After bringing the crowd to it’s feet with an impromptu performance of the song at his sold-out show at the Universal Amphitheater in Los Angeles last July, Kinison decided to record the song and include it on his album. No surprisingly, Kinison has revamped the lyrics as only he can: “Wild thing, you made me trust you then stuck a knife in my heart. You lying, unfaithful, untrustable tramp…”

    Kinison didn’t have to look very far for help in recording the song. Joining Kinison for this raunchy rendition were some of his biggest fans, including such notable rockers as members of Whitesnake, Poison, and Motley Crue. The recording, which was produced by Richie Zito, known for his studio work on Cheap Trick and Eddie Money, is accompanied by a video that turns the temperature up even more with its “who’s who” of rock ‘n rollers.

    The video version, described by Kinison as “everything I always wanted to be in high school,” was directed by the acclaimed Marty Callner, and teams Kinison with his rocker pals, which includes none other than Jon Bon Jovi and Richie Sambora of Bon Jovi, Poison’s C.C. DeVille, Billy Idol, Rudy Sarzo of Whitesnake, Steven Tyler and Joe Perry of Aerosmith, Tommy Lee from Motley Crue, Slash and Steven Adler from Guns N Roses, various members of Ratt, and John Waite and Jonathan Cain. It also features the notorious Jessica Hahn as the ‘Wild Thing,’ and a special appearance by Rodney Dangerfield.

    Logging over 250 concert appearances every year has helped Kinison achieve across-the-board success, and his popularity knows no geographical or cultural boundaries. Following his initial appearance on Rodney Dangerfield’s 1985 HBO Special, Rodney Dangerfield presents the Young Comedians, which Kinison filled with what he terms, “the six minutes that changed my life,” Sam’s career moved into high gear. He followed up with four appearances on Late Night With David Letterman and five guest shots on Saturday Night Live, culmination in a sixth appearance as the show’s host in November of 1986. Longtime friend and mentor Rodney Dangerfield asked Sam back for his 1986 HBO special, I Don’t Get No Respect and for a memorable part of Rodney’s crazed history professor in Back To School.

    Kinison then starred in his very own HBO Special, Breaking The Rules, and his debut comedy album, Louder Than Hell, went on to sell over 200,000 copies, making it one of the biggest selling comedy albums of all time.

    Currently looking to develop a feature film which would combine his two greatest loves, comedy and rock ‘n roll, Kinison is sure to continue his attack on the American psyche, while Have You Seen Me Lately? challenges his audience to follow him to even deeper depths. The question is, just how deep can he go?