Tag: Sam Kinison

  • Teen in Crash Used Alcohol, CHP Says

    Teen in Crash Used Alcohol, CHP Says

    By Times Staff and Wire Reports
    Originally printed in The Los Angeles Times
    Tuesday, April 14, 1992

    A Las Vegas teen-ager who drove his truck into comedian Sam Kinison’s car had been drinking alcohol before the fatal collision, authorities said Monday.

    California Highway Patrol Officer Don Woelke said the 17-year-old driver had alcohol on his breath Friday night when investigators arrived at the scene of the crash, near the California-Nevada border. They also found open beer cans in the cab of the youth’s truck, Woelke said.

    The youth is being held at San Bernardino County Juvenile Hall.

    Kinison, 38, was killed when the truck swerved into his lane and struck his car on U.S. 95.

  • Private Memorial Services to Be Held for Kinison in L.A.

    Private Memorial Services to Be Held for Kinison in L.A.

    By: Times Staff and Wire Reports
    Originally printed in The Los Angeles Times
    Monday, April 13, 1992

    A private memorial service will be held for comedian Sam Kinison on Wednesday in Los Angeles, and Kinison will be buried in Tulsa, Okla., on Friday, his publicist said Sunday.

    Kinison, killed Friday in a head-on crash in the California desert, will be buried near his mother’s home, said Bill Kinison, the late comic’s brother and manager.

    Kinison, 38, was killed when a pickup truck carrying two teen-agers swerved into his lane and struck his car on U.S. Highway 95, authorities said.

    His 26-year-old wife, Malika, suffered a concussion in the crash, which occurred near the California-Nevada border. She was transferred from Needles Desert Community Hospital to an undisclosed hospital in Los Angeles on Sunday–one week after she and Kinison had wed.

    The passenger in the pickup, Glen Moren, 18, of Las Vegas was also released from the Needles hospital Sunday, the Associated Press reported. The truck’s driver, a Las Vegas 17-year-old, was being held at San Bernardino County Juvenile Hall on suspicion of vehicular manslaughter, officials said.

  • An Appreciation: Kinison’s Unfinished Howl

    An Appreciation: Kinison’s Unfinished Howl

    By Lawrence Christon
    Times Staff Writer
    Originally printed in The Los Angeles Times
    Monday, April 13, 1992

    His piercing anger, protest now will never know a resolution we can share

    None of the TV anchors knew quite what to make of Sam Kinison when news of his death came over the wire early Saturday morning. “The loud comedian,” most of them called him, struggling to make do with a meaninglessly vague adjective, then running a silent interview clip in which, with brushed shoulder-length blond hair and faintly rubicund face, he looked like an amiable Friar Tuck dispensing words of comfort and reassurance to his unseen listener.

    If anything, Kinison was a manifestation of acute discomfort, and that’s why he’s remembered, even if TV’s public memory is shrouded with incomprehension.

    The circumstance of his death–a head-on auto collision with an allegedly drunk driver speeding along the wrong side of a highway double line–may well have made the news on the strength of its spectacular brutality regardless of who the victim was. Obviously, Kinison made the top of the hour because he was a celebrity of sorts, a famous comedian, a show-biz person. But there’s more. While it’s saddening to see any career cut down before its arc has been completed, Kinison represents unfinished business, a piercing howl of anger and protest that now will never know a resolution we can share.

    There’s no denying he was a base figure. Sam Kinison came along in the mid-’80s as a shock trooper of the American subconscious. On top, we had the sunny Reagan presidency and its fond avuncular approval of the get-rich-quick ethos–BMWs and lucrative paper chases for insiders and the thirtysomething crowd, and “Morning in America” promises for the rest of the electorate left holding its hand out. Hidden underneath, we had the palpable beginning of what now festers in abundance: urban rot, virulent racial and ethnic division, sexual rage, the dumbing-down of the young, the relentless commercial manipulation of our modern social coin–the public image.

    Kinison planted his squat legs like a fierce troll by a bridge, skewed his face into a florid rage, and screamed. That was his act. There was no pretense of comedic refinement, of structure and build and the bait-and-switch line that is comedy’s stock in trade. A Sam Kinison joke didn’t hit the media wire and zip through the country like one of Johnny Carson’s political zingers. It was usually crude, misogynistic, homophobic or wrongheaded–for a while he was the most aggressively misinformed comedian of his generation when it came to understanding AIDS.

    Nor was his fury particularly new. “Network’s” irate Howard Beale galvanized the country in 1977 with the line, “I’m as mad as hell and I’m not going to take this anymore.” In the ’60s, what else could you hear first in Jimi Hendrix’s rhythmically twisted “Star-Spangled Banner” but dizzying distress? In the ’50s, Allen Ginsberg delivered “Howl” and William Burroughs gave us the precursor to the primal scream–the sensation of waking up in the morning with thick petroleum jelly smeared on your lips.

    But Kinison was a creature of the ’80s’ excesses and frustrations. His alcohol and drug habit were common knowledge, and he tried to do what the other prevailing wild things did. He made record albums (“Louder Than Hell” and “Have You Seen Me Lately?”). He made a stab at the movies (Rodney Dangerfield’s “Back to School” and the aborted “Atuk”). He appeared on TV’s “Saturday Night Live” and “Late Night With David Letterman” and was an MTV regular. He also played Tim Matheson’s conscience on Fox-TV’s “Charlie Hoover.”

    But he really wasn’t cut out for anything other than live performance (he was driving to a gig when he was killed), and his wrestling with Jessica Hahn on his “Wild Thing” video seemed a damning symbol of the visible degradation some people will endure to achieve celebrity. Watching that video, you couldn’t tell if he was making a statement or if he was trying to see how far he could fall.

    Comedians are the shrewdest judges of each other’s talent. It’s telling that none of his peers begrudged him his success. “He’s honest,” you’d hear them say. Or, “You may not like his material, but it comes out of a core of real conviction.” The comic they name as his ostensible colleague but de facto opposite, the figure they generally disdain as a phony, is Andrew Dice Clay.

    Kinison was the unhappy son of an impoverished Pentecostal minister in Peoria, Ill., and for a while became a minister himself before he married (at 21) and divorced (at 25), and then gave up the calling (“I was getting too hip for the room,” he told an interviewer). He married and divorced yet again. Years later, one of his brothers committed suicide. His spiritual and sexual pain formed an underlying emotional truth that carried him a lot farther into his audience’s sixth sense than did his actual comment. There are times when it all gets to be too much, when there’s nothing to do but scream. For that, he was the man of the hour.

    It’s impossible to tell now if Kinison would ever have been able to get out of the shockmeister ’80s, when he made this statement: “I’m so tired of men who’re afraid to hurt women’s feelings. Then you turn on the tube and you watch somebody like Roseanne Barr or Joan Rivers who just slam men: ‘Men are jerks . . . losers’ and we’re supposed to stand around and act like women are perfect.” It needed to be said then, but cannot with good conscience be said now, not after the Clarence Thomas-Anita Hill hearing. And where that primal scream once seemed tonic and even cathartic, now it would only unnerve us as we make our way through the white noise of everyday anxiety and urban terror.

    Who can tell? He was capable of enlightenment, and maybe his new marriage might have brought him the peace he never knew. But the violence of his end is particularly haunting: a troubled man meeting a senseless, smoldering end on a strip of desert highway under a half-moon. His was a peculiarly American story.

  • Friends Shocked by Violent Death of Mellower Kinison

    Friends Shocked by Violent Death of Mellower Kinison

    By Amy Wallace
    Times Staff Writer
    Originally printed in The Los Angeles Times
    Sunday, April 12, 1992

    The shock comedian was sobering up, associates say. A teen-ager is held in the collision

    They were the kind of kids to whom comedian Sam Kinison’s bellowing stage persona was often said to appeal–two young men, in their late teens, driving fast in an old pick-up on a Friday night.

    Their 1974 Chevrolet truck reportedly was filled with beer cans as they tore down U.S. Highway 95, swerving into oncoming traffic near the California-Nevada border. Moments after hitting Kinison’s Pontiac Trans-Am head-on, fatally injuring the comedian and knocking his new wife unconscious, one of the teen-agers had only this to say, according to witnesses: “God! Look at my truck!”

    On Saturday, Kinison’s friends said they could not believe how he had died. The 38-year-old comedian, who made his reputation as a hard-drinking, loudmouthed wild man, had just returned from his Hawaii honeymoon with Malika, the 26-year-old Las Vegas dancer he had married a week ago today. He was settling down, friends said, sobering up and trying to “come into the mainstream.”

    “I can’t accept it. Especially the fact that he was not doing anything wrong,” said comedian Richard Belzer, an old friend, who noted that Kinison was on his way to work–a sold-out show in Laughlin, Nev.–when he died. “He was going to a job. His wife was in the car. It wasn’t a drug overdose. It wasn’t self-indulgence. He was living a clean life.”

    Immediately after the crash, which occurred near Needles at about 7:30 p.m., Kinison at first appeared fine, said friends who watched the crash from a second car and reported that beer cans from the pickup were strewn across the highway. With what appeared to be only cuts on his lips and forehead, he wrenched himself free from his mangled vehicle, lying down only after friends begged him to.

    “He said: ‘I don’t want to die, I don’t want to die,’ ” said Carl LaBove, Kinison’s best friend and longtime opening act, who held the comedian’s bleeding head in his hands. Kinison paused, as if listening to a voice that LaBove could not hear.

    “But why?” asked Kinison, a former Pentecostal preacher. It sounded, LaBove said, as if “he was having a conversation, talking to somebody else. He was talking upstairs. Then I heard him go, ‘OK, OK, OK.’ The last ‘OK’ was so soft and at peace. . . . Whatever voice was talking to him gave him the right answer and he just relaxed with it. He said it so sweet, like he was talking to someone he loved.”

    Kinison died at the scene from internal injuries, according to authorities. An autopsy is planned.

    Police did not release the name of the Las Vegas teen-ager who was driving the pickup truck, but California Highway Patrol dispatcher Tine Schmitt said the youth had been taken to Juvenile Hall in San Bernardino, where he was being held on suspicion of felony manslaughter.

    Schmitt said the driver sustained moderate injuries and his passenger, also a juvenile, was more seriously hurt. Malika Kinison was in serious condition Saturday at Needles Desert Community Hospital.

    Those in Kinison’s entourage speculated that the youths had been drinking. Majid Khoury, Kinison’s personal assistant, said there was beer in the back of the truck and in its cab. “It was all over the place,” Majid said. The CHP refused to discuss whether the two teen-agers were drunk or whether they had been given blood-alcohol tests.

    Friends described Kinison as a warm man, generous to a fault–a description that seemed at odds with his brazen brand of humor. Especially in the early years of his career, the rotund comic was the king of shock comedy–vulgar, vitriolic and ear-splittingly loud. To many, he was downright offensive.

    Where other comedians joked about sex, Kinison screamed about carnal relations among lepers and homosexual necrophilia. Other favorite targets included televangelists, women and Andrew Dice Clay, the abrasive comedian to whom Kinison hated being compared. He even had a few jokes about driving under the influence.

    On Kinison’s 1988 album “Have You Seen Me Lately?” he defended drunk driving this way: “How else are we gonna get our cars home?”

    But even Kinison’s critics admitted that he was much more than another gross-out comedian. At his best, he was a biting social commentator. The son of a preacher from Peoria, Ill., Kinison was particularly brilliant, many said, at dissecting religious hypocrisy.

    In a riff on fallen televangelist Jim Bakker, Kinison imagined Judas, sitting in heaven, saying: “Maybe I’ll get a reprieve.” Jesus, meanwhile, “was goin’ through the Bible sayin’, ‘Where did I say: “Build a water slide?”‘”

    Mitzi Shore, owner of the Comedy Store on Sunset Boulevard in Los Angeles, the club where Kinison’s act first caught fire, said: “Sam was a healer, a comedy innovator, a brilliance. To hear his tirades in the main room on his special night were moments in comedy that will never be repeated. Wherever Sam is now, he is resting and we will dearly never, never forget.”

    Belzer called his friend “one of the best comedians of his age. Beneath the rebel was a man with a real heart who had something to say about religion and politics. A lot of the audience went (to his shows) to see the wild man. But they came away having done a double-take on certain issues.”

    Rodney Dangerfield, another longtime buddy of Kinison, agreed.

    “It’s a big loss to people who want to laugh,” said Dangerfield, who had featured Kinison in his 1986 movie “Back to School.”

    In recent years, some said, Kinison’s act had gotten tamer. Instead of the homeless, he aimed his razor-wit at Vice President Dan Quayle, who he said was greeted at Cabinet meetings by the chorus: “Hey, Dan’s here. Anyone want anything from Burger King?” After the gay and lesbian community took him to task for his jokes about AIDS, Kinison publicly repented, calling himself “insensitive” and promising to no longer make light of the AIDS epidemic.

    In his personal life, too, Kinison–who once described his past cocaine use as being so heavy he used a garden hose to inhale–had mellowed as well.

    Kinison, who starred in the Fox comedy series called “Charlie Hoover,” had been negotiating with the television network to do a variety show and was expecting to sign a two-movie deal next week, said Bill Kinison, his brother and manager. He said the comedian was looking forward to getting off the road for awhile, leaving the reckless lifestyle behind and spending more time with his family and friends.

    “We had taken a turn in the career that we had been wanting to take,” Bill Kinison said. “He knew he couldn’t live on the road forever.”

    A week ago, before a small gathering of friends at the Candlelight Chapel in Las Vegas, he and Malika had formalized their five-year relationship–marrying at 2 a.m. on the birthday of Kinison’s late father.

    “He said it would be a tribute, and an easy day to remember,” said Florence Troutman, Kinison’s publicist. Dressed in a tuxedo and red bow tie, Kinison wept, Troutman said, as he recited his vows. “He was very happy.”

    Kinison and his wife spent last week at the Mauna Kea Beach Hotel on the Kona Coast, arriving back in Los Angeles early Friday. Kinison, who had been on a back-breaking road tour for much of the last year, had a sold-out show scheduled that night at the Riverside Resort Hotel and Casino. He was, friends said, revived and ready to work.

    At midday, the Kinisons headed east, the lead car of a two-car caravan–Kinison’s brother, his personal assistant Khoury and LaBove followed in the van that also carried Kinison’s dog, a Lhasa apso named Russo. Three miles north of Needles, LaBove was startled awake in the back seat.

    “I heard Bill saying: ‘Watch out for that guy, Sam. That guy’s in your lane,’ ” LaBove said. “Then I heard Bill scream, ‘Watch him, Sam! Watch him!’ Then I heard the most horrendous crash.”

    The van skidded to a stop, LaBove said. Bill Kinison ran to check on his brother and, thinking that he was merely shaken, turned his attention to the driver of the pickup truck. The teen-ager was out of the cab, surveying his crushed windshield and seemingly uninterested in the human damage that had been done, LaBove said.

    “He said: ‘God! Look at my truck!’ And Bill said: ‘You think you’ve got problems now, you don’t know who you hit,’ ” LaBove said. “He was thinking Sam was going to get out of the car yelling. He thought Sam was OK.”

  • Comedian Sam Kinison Killed in Highway Crash

    Comedian Sam Kinison Killed in Highway Crash

    Los Angeles Times News Service
    Originally printed in The Palm Beach Post
    April 11, 1992

    The former preacher had just started living a ‘clean life’ when he collided with teens who were drinking and driving.

    NEEDLES, Calif. — They were the kind of kids to whom comedian Sam Kinison’s bellowing stage persona often was said to appeal — two young men, in their late teens, drinking and driving fast on a Friday night.

    The cab of their Chevrolet pickup was littered with beer cans as they tore down U.S. highway 95, swerving into oncoming traffic near the California-Nevada border. Moments after hitting Kinison’s Pontiac Trans-Am head-on, fatally injuring the comedian and knocking his new wife unconscious, one of the teenagers said: “God! Look at my truck!”

    On Saturday, Kinison’s friends said they could not believe how he had died. The 38-year-old comedian, who made his reputation as a hard-drinking, loud-mouthed wild man, had just returned from his Hawaii honeymoon with Malika, 26, the Las Vegas dancer he had married a week ago Sunday. He was settling down, friends said, sobering up and trying to “come into the mainstream.”When he died, he was on his way to a sold-out show in Laughlin, Nev.

    “I can’t accept it,” comedian Richard Belzer, an old friend said of Kinison’s death. “Especially the fact that he was not doing anything wrong. He was going to a job. His wife was in the car. It wasn’t a drug overdose. I wasn’t self-indulgence. He was living a clean life.”

    Immediately after the crash about 7:30 p.m. Friday, Kinison at first appeared fine, said friends who watched the crash from a second car. With only minor cuts on his lips and forehead, he wrenched himself free of his mangled vehicle and lay down only after friends begged him to do so.

    “He said, ‘I don’t want to die, I don’t want to die,’” recounted his best friend, Carl LaBove, who held Kinison’s bleeding head in his hands.

    Kinison paused, as if listening to a voice that couldn’t be heard, LaBove said.

    “But why?” asked Kinison, a former Pentecostal preacher. It sounded, LaBove said, as if “he was having a conversation, talking to somebody else. He was talking upstairs. Then I heard him go, ‘OK, OK, OK.”The last “OK” was so soft and at peace… whatever voice was talking to him gave him the right answer, and he just relaxed with it. He said it so sweet, like he was talking to someone he loved.”

    Kinison, who police say was not wearing a seat belt, died at the scene, apparently of massive head injuries sustained when he hit the windshield. An autopsy is planned.

    Authorities did not release the name of the Las Vegas teenager who was driving the pickup, but California Highway Patrol dispatcher Tine Schmitt said he was being charged with felony manslaughter.

    Schmitt said the driver sustained moderate injuries while his passenger, also a juvenile, was more seriously hurt. Malika Kinison was in stable condition Saturday at the Needles Desert Community Hospital.

    Friends described Kinison as a warm man, generous to a fault — a description that seemed at odds with his brazen brand of humor.

  • Second-Chance Sam

    Second-Chance Sam

    By Joe Rhodes
    Frequent Contributor To TV Times
    Originally printed in The Los Angeles Times
    Sunday, November 17, 1991

    Sam Kinison has been sent to his corner, away from the main set of the new Fox network sitcom “Charlie Hoover,” isolated from the rest of the cast and most of the crew.

    Tim Matheson, Kinison’s co-star, is in the midst of an elaborate set, surrounded by extras and scenery: slot machines, miniskirted waitresses, crap tables, all the details necessary to evoke the ambience of an Atlantic City casino.

    Kinison, in his trademark beret and long coat, is standing barely 30 feet away, but he might as well be in another world. His area, brightly lighted and painted entirely in blue, is roped off from the casino set and his only clear view of the other actors is via a monitor. Kinison looks strangely disembodied surrounded by all that blue, the lone resident of a monochromatic universe.

    “Every time they say, ‘OK, time to change sets,’ I always start to move along with everybody else,” Kinison says, waiting patiently for his cue. “And then I realize, hey, I’m not going anywhere. They may be changing sets but I’m stuck right here in Blue World.”

    Which, all in all, is not a bad metaphor for Kinison’s career. It’s been 10 years since he first roared into Los Angeles, the howling stand-up from hell. He has, for the last decade, been the comedy equivalent of a Scud missile, loud, messy and you could never be sure just exactly when he’d explode.

    Kinison, a former road-show evangelist, and his act embodied his conversion to the wild side of life. Designed to provoke, it served him well. He was criticized for bashing women, bashing gays, bashing Christianity. And every criticism brought in more paying customers.

    His personal life did nothing to soften his on-stage image. There were drugs, alcohol abuse, danger and debauchery on a grand scale. He hung out with the heavy-metal crowd, acting more like a rock star than a comedian.

    “It was fun to be at the China Club and be up there jamming with Slash or Joe Walsh and John Entwistle (of The Who), and I’d be a liar to say I didn’t love it, that it wasn’t my high school dream, ’cause it was,” Kinison says. “But there comes a point where you say, I’ve done enough of this. I want to move on to something else.

    “I mean it was great to be the rock comic, the shock comic. But after you’ve played Giants Stadium with Bon Jovi in front of 82,000 people, after you’ve done the “Wild Thing” video with Jessica Hahn and every rock band from hell, you’re not gonna top that. And I’m on the other side of 35 now, so it’s time.”

    Which is why Kinison, who’s 37 to be exact, is standing on this blue stage, pursuing that most mainstream of comedy goals, a network sitcom. “I want to show people that there’s a side of myself other than just the outrageous comedian,” Kinison says. “I hope this shows that I can do family entertainment, that my comedy doesn’t just depend on vulgarity.”

    In “Charlie Hoover,” Kinison plays Matheson’s 12-inch-tall alter ego, the inner voice who’s always urging him, as Kinison explains “to not go to work, to call that girl, to run away. I’m his pleasure center.”

    Kinison’s scenes are shot with a special-effects camera that allows his 12-inch image, shot against the blue background, to be inserted, live, into the master shots. Kinison and Matheson rehearse face to face and then, when its time to shoot, return to their respective sets, able to see each other only through occasional glances at the monitors.

    “It really doesn’t feel that difficult to me because I’m used to performing by myself when I do stand-up,” Kinison says. “But (the producers) seem to think it’s really hard. Don’t tell ’em. Let ’em think I’m bustin’ my ass.”

    Kinison seems genuinely grateful that Fox took a chance on him, considering his longstanding reputation as a less than reliable performer. “I think a lot of ’em were wondering if I was up to it and I was kind of wondering myself. It was like, ‘Gee, I hope I haven’t bitten off more than I can chew here.’”

    But instead of hating the long hours and the morning calls, Kinison has found himself invigorated by having a steady job. “I kind of needed this, I think,” he says. “I needed something to turn the nights back into the days.”

    Image considerations aside, Kinison was getting plenty of clues that he needed to slow down. He was forced into rehab programs to deal with his substance abuse problems. His younger brother, Kevin, committed suicide in 1988; last summer his girlfriend was raped by his bodyguard while Kinison, allegedly passed out drunk, slept in the other room.

    “Yeah, those were pretty sobering experiences,” Kinison said, quietly, his demeanor as far from his raging stage persona as it could be. “Those are things that can either destroy you or, if you survive them, make you stronger. Those are hard things for anyone to get through, especially people with the title of comedian.

    “I’m just glad I made the transition from when I could have overdosed or when I could have fallen asleep at the wheel and run off a cliff or something. It’s good to have survived those years.

    “I don’t hear anything screaming in here any more,” Kinison says, pointing to his heart. “I’m just happy to be here. I’m just happy to have the chance.”

    “Charlie Hoover” airs Saturdays at 9 p.m. on Fox.