Tag: Drugs

  • Kinison’s Friends Recall His More Compassionate Acts

    Kinison’s Friends Recall His More Compassionate Acts

    By Dennis McLellan
    TIMES STAFF WRITER
    Originally printed in The Los Angeles Times
    Wednesday, September 2, 1992

    Colleagues remember shock comic’s off-stage kindness. But the tribute they’ll tape in Anaheim won’t be syrupy

    Pacing the stage like the Pentecostal preacher he once was, Sam Kinison would work himself into a primal heat as he railed against homosexuals, AIDS victims, organized religion and one of the topics closest to his heart: Marriage.

    “Oh, Oh-h-h -h-h! Marriage is hell-l-l-l-l!” the twice-divorced comic would scream.

    With an infectious giggle and his signature banshee wail, Kinison soared into the public consciousness in the mid-’80s as the King of Shock Comedy. His detractors–and there were many–called him obscene, vitriolic and annoyingly loud. His fans–and they were legion–called him an innovator, a biting social commentator for whom no topic was taboo. Not the Crucifixion. Not sex. Not even necrophilia.

    When the 38-year-old comedian was killed in a head-on collision on his way to a show in Laughlin, Nev., in April, media reports referred to the wild stage persona and the equally wild personal life of the man who joked that his cocaine use was once so heavy he used a garden hose to inhale.

    But his friends, many of whom will be honoring the outlaw comic at a comedy tribute Thursday at the Celebrity Theatre in Anaheim, remember another Sam Kinison.

    “The partying is legendary, but there also is a side of him that was very sweet and loving, and he was very good to a lot of people,” said Richard Belzer, who first met Kinison in 1980.

    Scheduled to join Belzer on stage are Robin Williams, Rodney Dangerfield, Judy Tenuta, Carl LaBove, James Carrey and Pauly Shore. The show, which will include video clips of Kinison’s career, will be taped for a later TV broadcast on the Fox network.

    Tenuta, the accordion-playing, self-anointed Love Goddess who met Kinison in a Denver comedy club in 1985, joked that “we used to hang out cruising for chicks together, Sam and I.”

    “He was the most compassionate person I ever met in my life,” said LaBove, Kinison’s best friend and longtime opening act. “He was always there for me.”

    But don’t expect a stream of sugary testimonials Thursday night. According to Belzer, “The tribute is going to be a life-affirming thing rather than maudlin.”

    “There won’t be a lot of reminiscing,” said Bill Kinison, Sam’s brother and manager who is serving as executive producer of the show. “It will be kind of a ‘Heaven Can Wait’ type set with a lot of smoke and things like that. The story line is basically whether or not Sam makes it (to heaven).”

    That seems an altogether fitting premise for a tribute to the outlaw comic with the hell-bound persona. Yet despite Sam’s penchant for the sacrilegious on stage, Kinison said, his brother never lost his own faith.

    “He was a strong believer,” he said. “His unhappiness was with religion and never his commitment to God.” With a laugh, Kinison added, “I don’t know if you’re going to have a lot of Christians who are going to believe that.”

    Proceeds from the tribute, according to Kinison, will go to his brother’s estate. At the time of Sam’s death, Kinison said, he was nearly $1 million in debt. “After he died and I looked at the estate I thought, ‘Well, if you can die a million in debt, you can say you enjoyed life.’ “

    Kinison feels a comedy tribute is the kind his brother would have wanted. “And I think just about all the entertainers who are involved are involved because of the contribution he made. When I watched ‘Comic Relief’ this year, there was not only the (raw) language but the (controversial) viewpoints that you probably wouldn’t have seen on HBO or on television if it hadn’t been for Sam breaking down all the walls.”

    Bill Kinison believes his brother belongs in the same camp as such boundary-stretching predecessors as Lenny Bruce and Richard Pryor. “What he brought–and they also brought–is being totally honest on stage. Even to a fault. There’s a lot of people who would not have agreed with Sam’s views on things, but he was honest on stage about it.”

    Tenuta agreed.

    “He was dealing with his demons on stage,” she said. “It was really refreshing to see someone just sort of take issues by the horns and really go to the root of it. He was just very funny. And you never felt that there’s this structure of ‘joke,’ like it’s a newscast.”

    Says LaBove: “Sam was the first guy to bring that kind of everyday anger, that stress you have in a car, in a marriage–all that stuff–and just blowing it out.”

    LaBove remembers first meeting Kinison in Texas in 1979 when they both were starting out in stand-up at a legendary Houston club called the Comedy Workshop.

    From the start, LaBove said, “Sam always had the stage presence because he had come from the ministry. Even when he didn’t have great ideas, he was always interesting.”

    As for Kinison’s legendary use of drugs, LaBove said “he was repressed as a preacher’s kid and as a preacher he was someone people looked up to for spiritual guidance. He didn’t have a lot of opportunities to experiment. He started late in everything, so actually he was going through his teen-age years when he passed away.”

    LaBove was riding in a van with Bill Kinison behind Sam’s car when the pickup driven by a teen-ager who had been drinking slammed into the comedian’s Pontiac Trans-Am. Malika, Sam’s longtime girlfriend and wife of less than a week, was knocked unconscious.

    It was LaBove who held Kinison just before he died. At first, the comedian protested that he didn’t want to die. But as LaBove told The Times after the accident, Kinison paused as if listening to a voice from above. Then he said, “OK, OK, OK.” And then, softly and sweetly, he uttered a final “OK.”

    “At the time I knew in my soul it was the moment of death,” said LaBove, adding that he has since found a sense of peace from hearing Kinison’s final words. “I’ve watched my father pass away and other people pass away, and there is a moment where it seems someone comes to get you or you see something and it really relaxes you. When Sam’s moment came, it seemed like Sam listened.”

    LaBove said that preparing his six-minute portion of the tribute has been an emotional ordeal.

    “As far as I’m concerned, everybody else is the stars of the show; I’m his best friend.’ I’m actually going to use this spot as my last public goodby to Sam.”

    Speaking late last week, LaBove said that “at this point, I’ll either tell stories about a friendship the public didn’t see and tell those funny stories of things he did off stage–and actually just talking to him, just staring up. I want a powerful moment. He was a powerful friend.”

  • Sam Kinison Last Stand

    Sam Kinison Last Stand

    By Jane Wollman Rusoff
    With additional reporting by A.J.S. Rayl and Jon Weiderhorn
    Originally printed in Entertainment Weekly, No. 122
    Friday, June 12, 1992

    “That’s when you know you’re pretty f—ed up, when it makes sense to fall asleep… I was driving between Needles and Barstow… It’s about 120 miles of desert… It’s four in the morning, man… Hey, this is a pretty good time to go to sleep … (SCREAMS HYSTERICALLY) So I totaled this f—in’ car out, man!… I f—in’ totaled it! And it made SENSE at the time!…” — FROM THE “SAM KINISON FAMILY ENTERTAINMENT HOUR,” APRIL 4, 1991

    IRONY OF IRONIES: On April 10, 1992, almost a year after delivering that routine on HBO, Sam Kinison was killed in a head-on collision on that same stretch of arid desert road between Needles and Barstow, Calif., the same haunted section of U.S. Highway 95 that opens Hunter S. Thompson’s Fear and Loathing in Las Vegas. A 5’8″, 275-pounder whose appetites matched his bulk, a kamikaze comic known for his piercing screams and full-bellow takes on sex, religion, and drugs, Kinison was heading for a stand-up gig in Laughlin, Nev., five days after marrying his third wife, Malika Souiri, 27. Eleven miles north of Needles, a pickup driven by an allegedly beer-drinking 17-year-old smashed into Kinison’s Pontiac, leaving Souiri unconscious and the 38-year old comedian dead.

    The greatest irony of all: Everyone thought he’d die sooner. With his massive addiction to alcohol and drugs, Kinison had been pegged by his friends and even by himself for a John Belushi-style demise. He once joked with friends that he’s probably be found dead one day “with a couple of 16-year-old girls in a cheap motel with an ounce of blow and a scissors sticking out of my back.” That he should die just when he seemed to be chasing the demons from his life – not exactly clean and sober, according to the autopsy report, but closer than he’d come in years – simply made no sense. And still doesn’t. In the weeks since he died, Kinison’s friends and family have tried to come to some understanding of his death and life, especially of those last bound-for-hell years.

    Analyzing Kinison, once a troubled, rebellious child and later a holy-rolling preacher, they see a study in light-and-dark contrasts. He was “a shy little huggy bear,” says guitarist Joe Walsh, and also a man who “loved turmoil – that’s what made him tick,” says comic Allan Stephan, who often toured with Kinison. He had reportedly led a Black Mass or two in his time, yet “Jesus was always near his heart,” according to former girlfriend (and Jim Bakker nemesis) Jessica Hahn. He compulsively beat up men and women, yet was so respectfully devoted to his mother, Marie, that their relationship “was almost Elvis-like,” according to Sam’s brother, Bill.

    All of us are creatures of complexity, but in Kinison the contradictions ran to wild extremes. “Most people would go to the edge,” says his friend Robin Williams. “Sam would jump over it.”

    This is the trajectory of his fall.

    THE EARLY PART of his story is well known. Born in Peoria, Ill., the third son of four boys in a family of poor preachers, he was bred into anger – whether from his upbringing in poverty, to the devil, no one was ever able to determine fully. He worked as a Pentecostal evangelist from ages 18 to 25 but eventually found his true calling in comedy. Starting at a club in Houston and gravitating to the Los Angeles laugh circuit in 1981, Kinison got his break in 1985, when Rodney Dangerfield put him on his young Comedians HBO special and gave Kinison what he would later call “the six minutes that changed my life.”

    By 1987 Kinison had sold 100,000 copies of his album Louder Than Hell, hosted Saturday Night Live, appeared in Dangerfield’s movie Back to School, befriended the likes of Jon Bon Jovi, Ted Nugent, and Howard Stern, and was pulling in as much as $50,000 per concert gig. His comedy style was unlike anything ever heard – or, in his case, unlike anything ever heard outside of a psych ward: Addressing himself to starving Ethiopians, he roared: This is sand. Nothing grows here. Know what it’s gonna be like in a hundred years? It’s gonna be sand! you live in a f–ing desert! We have deserts in America – we just don’t live in them! Why don’t you move to where the food is?

    But at the same time Kinison was telling friends that he was having major problems dealing with success. “He didn’t know who to trust,” says Walsh. “All of a sudden everybody wanted to be his friend. One time he called, depressed and crying. He said, ‘Am I blowing it?’ Sam never quite believed in himself, and it tore him up.”

    It was around this period that Kinison’s rage, never completely repressed but now stoked by cocaine, began to explode. A pummeling of comic Mark Goldstein in front of Kinison’s stand-up alma mater, the Comedy Store, forced owner Mitzi Shore to give Kinison an ultimatum: “I told him I didn’t want him around until he cleaned himself up. He left and I didn’t see him again for two years.”

    His girlfriend at the time, comedian Tamayo Otsuki (Davis Rules), found life with Kinison too rough to take. “As a person, Sam was a complete screwup,” says Otsuki. “He had a nice, soft side, like a 5-year old boy. But he was heavily into drugs. I left him about 60 times during the two years we saw each other. He’d call and leave 50 messages on my machine in one day. I finally had to disconnect my phone and move. I had to disappear because he’d come to my house and break in. He broke the window, the door, my chairs. His ego was hurt. He said, ‘How can you leave Elvis?’”

    Malika Souiri, the Las Vegas dancer he started seeing after Otsuki and who he eventually married, describes her relationship with Kinison as “up and down like a roller coaster. I stood up to Sam lots of times, and I think he respected that.” Comedian Carl LaBove isn’t quite as delicate. “It was one of those drag-down, knock-down, fight-it-out relationships,” he says. “Sam took his punches too – she’s a kick-ass girl.”

    Early in 1988, Kinison’s career began to lose momentum. In February, United Artists sued him for essentially walking out of what would have been his first starring film: Atuk, a piece of fluff about an Eskimo that goes to New York. Although the case was settled out of court, word went around that Kinison was unreliable and impossible to work with. The powerful Creative Artists Agency had already dropped him as a client. Then in May Kinison was dealt a ravaging personal blow. His brother Kevin, 28, the baby of the family, shot himself to death in his parents’ house in Tulsa after suffering a nervous breakdown. Kinison was devastated and began thinking about suicide himself. “Till the day he died,” says Bill Kinison, “Sam was still moved to tears when he talked about Kevin.”

    The comic’s 1988 concert tour took in less than previous year’s, but that didn’t stop Kinison from playing the prodigal. He was paying off a house in Malibu and renting a four-bedroom apartment in Hollywood Hills. He spent lavishly on clothing, mostly from H. Lorenzo’s on Sunset Strip. He ate at Spago, Dan Tana’s, and the Palm and often left 100 percent of the bill as a tip. “He was very extravagant,” says comedian Richard Belzer. “Every meal was a celebration.” Although he dieted on and off, Kinison was a binger by nature. Descending on Ben Frank’s one night in 1988 with Hahn, his occasional date at the time, Kinison ordered sausages, bacon, eggs, buttermilk pancakes, and biscuits. “The grease made the Exxon oil spill look mild,” says Hahn. “And after eating all that, he said, ‘I feel good – want some dessert?’”

    And there were drugs. Always drugs. Kinison’s booze and cocaine intake, never stinting, now began to rival his food consumption. In fact, a rider in his performance contract required promoters to provide an oxygen tank backstage. Its purpose: to revive him between shows. Comic Doug Bady remembers seeing Kinison “sucking on and oxygen mask before a show. I wondered how was he ever going to get out there. He looked like he was going to fall asleep or pass out. But he would undergo a transformation almost, and by the time he got on stage, he was right on.”

    Avoiding unconsciousness was also a big challenge at home. “He hated to sleep,” says Hahn. “He’d practically have to pass out first.” One of Kinison’s domestic goals was to stay up till the early morning hours to watch reruns of his favorite childhood series, The Fugitive. Among his prized possessions was a pair of bar tabs signed by the show’s star, David Janssen.

    By 1990, Kinison was an outlaw. The mere rumble of his name meant trouble. His album Leader of the Banned was selling poorly, and MTV dropped his video from its rotation. HBO backed out of a projected special. On tour, he was so high one night, according to guitarist Randy Hansen, “The audience began throwing things at him and chanting ‘Refund! Refund! Refund! He was barely able to stand up.”

    Weirdness was everywhere. In June 1990, a 320-pound man, who had met Kinison hours before, allegedly attacked Souiri, who by this time was living with Sam, while the comic was passed out upstairs. She fired off four shots from one of Kinison’s many guns. The ensuing rape trial resulted in a hung jury and the case was dismissed, but the incident helped Souiri come to a definite conclusion about her life with Kinison.

    “The party was over,” she says. “I felt it was good for us to stop everything and start to live life to its fullest.” The two made a pact to go straight, and Kinison joined an Alcoholics Anonymous chapter, where he befriended fellow member Ozzy Osbourne. In March 1990, Kinison began telling audiences he was no longer getting high.

    The sad truth was that his new leaf stayed turned over for only a few months. After that, clean and sober was more of an image than a reality for Kinison. According to Randy Hansen, “Sam told me, ‘What’s important is that the audience believes I quit. Whether I’m doing drugs or not is none of their business. What I want them to know is that I don’t encourage anything…and that I try to be a role model.’ He wanted to get rid of that image of, ‘Yeah, let’s go get f–ed-up and party.’”

    It’s said that even a fleeting exposure to the AA program can affect one’s life. So it was with Kinison. Though he was still drinking, his drug consumption went down, and he and Souiri slowly settled into a routine, non partying domestic life. The industry took notice. Kinison guest-starred on a Christmas episode of Fox’s Married…With Children in 1990, racking up the show’s highest ratings, and began negotiating for his own Fox series, Charlie Hoover.

    But maintaining the new image wasn’t easy. In July 1991, Kinison missed an hour-long appearance on The Joan Rivers Show because he was too drunk to get our of New York City’s Plaza Hotel. Rivers admits she was furious but says, “Sam was devastated by it. He was upset because he thought he might lose his role in his series, which was to start in a few months. He really cared, for all the talk about his not giving a shit. He wanted the success. He was a pro and knew that a pro has to act in a certain manner.”

    Charlie Hoover, a series of microscopic concept, featured Kinison as Tim Matheson’s 12-inch-high alter ego. Kinison didn’t put much stock in the show, but he showed up for work every day. And when it was canceled this February after a three-month run, Kinison had no regrets. He already has a few paths mapped out. On April 14, four days after he died, he was supposed to have signed with New Line Cinema, his first film contract since 1988; the two-movie deal called for a concert film and a comedy with either Arnold Schwarzenegger or Rick Moranis. That same day, Kinison was scheduled to sign with Fox for a variety show, a comedy hour patterned after the old Jackie Gleason Show, with Sandra Bernhard as his possible co star. This was going to be a good year.

    Kinison was in a celebratory mood on April 5, when he married Souiri at the Candlelight Chapel in Las Vegas. They honeymooned for two days in Hawaii. “It was the most relaxed I’d ever sen him,” says Souiri. “This time, it seemed like it was really coming together.”

    Two days later, Sam and Malika set off for his gig in Laughlin, with brother Bill and other friends following in a van. Bill saw the pickup truck heading directly toward Kinison’s car. With a steep embankment on his right, Sam had no room to maneuver. Both vehicles went straight up in the air on collision and crashed back down. Majid Khoury, Kinison’s personal assistant, who was in the van, found Sam “lying on his side diagonally across the seat, facing Malika, as if covering her at the time of impact. He was trying to get up and saying, ‘I don’t understand it. I don’t understand it. How come?’”

    Then he lost consciousness and though CPR was attempted, Kinison lived only about three or four minutes after the accident. At the hospital, Souiri says, “I forced my way in to see Sam. I wanted to kiss him. But when I tried, blood came out of his mouth. I wanted something of him. I wanted anything on me – even his blood. It may sound sick, but I put some of his blood on my chest, over my heart.”

    The death certificate states that Sam Kinison died of “multiple traumatic injuries.” The autopsy results, released May 27, showed signs of cocaine and prescription drugs in his system. The 17-year-old driver, who was allegedly drinking beer at the time of the accident, has been charged with vehicular manslaughter. A pretrial hearing was set for June 1.

    In an interview last year, Kinison said that while his career was doing just fine, life was another story. “It seems to be one tragedy followed after another,” he said. “Just about the time you think life’s perfect, and you got it just the way you want it, something else comes up that breaks your heart, devastates you. And then you gotta get over that, and try to trust again, believe again, and set up for the next tragedy.”

    Or, as he said on the highway between Needles and Barstow, “I don’t understand it.”

  • Tranquilizers, Cocaine Found in Kinison’s System

    Tranquilizers, Cocaine Found in Kinison’s System

    By Associated Press
    Originally printed in The Los Angeles Times
    Friday, May 29, 1992

    SAN BERNARDINO — Comedian Sam Kinison had traces of cocaine and tranquilizers in his system when he was killed in a head-on collision last month, an expert who reviewed autopsy findings said.

    Kinison, who told in 1990 of kicking his drug addiction, was traveling with his new wife on a desert highway April 10 when his car was hit by a truck that crossed the center line while attempting to pass traffic.

    Besides cocaine, autopsy findings indicate Kinison had the prescription tranquilizers Valium and Xantac in his system as well as the prescription painkiller codeine, said Dr. Irving Root, who retired as the San Bernardino County coroner’s chief pathologist in 1991.

    Deputy Coroner Gabriel Morales said that Kinison, 38, suffered multiple traumatic injuries to the chest cavity and died within minutes of the crash near Needles. “Drugs did not contribute to the cause of death,” Morales said. “(But) we are not saying that he wasn’t under the influence.”

  • Second-Chance Sam

    Second-Chance Sam

    By Joe Rhodes
    Frequent Contributor To TV Times
    Originally printed in The Los Angeles Times
    Sunday, November 17, 1991

    Sam Kinison has been sent to his corner, away from the main set of the new Fox network sitcom “Charlie Hoover,” isolated from the rest of the cast and most of the crew.

    Tim Matheson, Kinison’s co-star, is in the midst of an elaborate set, surrounded by extras and scenery: slot machines, miniskirted waitresses, crap tables, all the details necessary to evoke the ambience of an Atlantic City casino.

    Kinison, in his trademark beret and long coat, is standing barely 30 feet away, but he might as well be in another world. His area, brightly lighted and painted entirely in blue, is roped off from the casino set and his only clear view of the other actors is via a monitor. Kinison looks strangely disembodied surrounded by all that blue, the lone resident of a monochromatic universe.

    “Every time they say, ‘OK, time to change sets,’ I always start to move along with everybody else,” Kinison says, waiting patiently for his cue. “And then I realize, hey, I’m not going anywhere. They may be changing sets but I’m stuck right here in Blue World.”

    Which, all in all, is not a bad metaphor for Kinison’s career. It’s been 10 years since he first roared into Los Angeles, the howling stand-up from hell. He has, for the last decade, been the comedy equivalent of a Scud missile, loud, messy and you could never be sure just exactly when he’d explode.

    Kinison, a former road-show evangelist, and his act embodied his conversion to the wild side of life. Designed to provoke, it served him well. He was criticized for bashing women, bashing gays, bashing Christianity. And every criticism brought in more paying customers.

    His personal life did nothing to soften his on-stage image. There were drugs, alcohol abuse, danger and debauchery on a grand scale. He hung out with the heavy-metal crowd, acting more like a rock star than a comedian.

    “It was fun to be at the China Club and be up there jamming with Slash or Joe Walsh and John Entwistle (of The Who), and I’d be a liar to say I didn’t love it, that it wasn’t my high school dream, ’cause it was,” Kinison says. “But there comes a point where you say, I’ve done enough of this. I want to move on to something else.

    “I mean it was great to be the rock comic, the shock comic. But after you’ve played Giants Stadium with Bon Jovi in front of 82,000 people, after you’ve done the “Wild Thing” video with Jessica Hahn and every rock band from hell, you’re not gonna top that. And I’m on the other side of 35 now, so it’s time.”

    Which is why Kinison, who’s 37 to be exact, is standing on this blue stage, pursuing that most mainstream of comedy goals, a network sitcom. “I want to show people that there’s a side of myself other than just the outrageous comedian,” Kinison says. “I hope this shows that I can do family entertainment, that my comedy doesn’t just depend on vulgarity.”

    In “Charlie Hoover,” Kinison plays Matheson’s 12-inch-tall alter ego, the inner voice who’s always urging him, as Kinison explains “to not go to work, to call that girl, to run away. I’m his pleasure center.”

    Kinison’s scenes are shot with a special-effects camera that allows his 12-inch image, shot against the blue background, to be inserted, live, into the master shots. Kinison and Matheson rehearse face to face and then, when its time to shoot, return to their respective sets, able to see each other only through occasional glances at the monitors.

    “It really doesn’t feel that difficult to me because I’m used to performing by myself when I do stand-up,” Kinison says. “But (the producers) seem to think it’s really hard. Don’t tell ’em. Let ’em think I’m bustin’ my ass.”

    Kinison seems genuinely grateful that Fox took a chance on him, considering his longstanding reputation as a less than reliable performer. “I think a lot of ’em were wondering if I was up to it and I was kind of wondering myself. It was like, ‘Gee, I hope I haven’t bitten off more than I can chew here.’”

    But instead of hating the long hours and the morning calls, Kinison has found himself invigorated by having a steady job. “I kind of needed this, I think,” he says. “I needed something to turn the nights back into the days.”

    Image considerations aside, Kinison was getting plenty of clues that he needed to slow down. He was forced into rehab programs to deal with his substance abuse problems. His younger brother, Kevin, committed suicide in 1988; last summer his girlfriend was raped by his bodyguard while Kinison, allegedly passed out drunk, slept in the other room.

    “Yeah, those were pretty sobering experiences,” Kinison said, quietly, his demeanor as far from his raging stage persona as it could be. “Those are things that can either destroy you or, if you survive them, make you stronger. Those are hard things for anyone to get through, especially people with the title of comedian.

    “I’m just glad I made the transition from when I could have overdosed or when I could have fallen asleep at the wheel and run off a cliff or something. It’s good to have survived those years.

    “I don’t hear anything screaming in here any more,” Kinison says, pointing to his heart. “I’m just happy to be here. I’m just happy to have the chance.”

    “Charlie Hoover” airs Saturdays at 9 p.m. on Fox.

  • Comedy Review: Comic Kinison Still Far From Being Family Fare

    Comedy Review: Comic Kinison Still Far From Being Family Fare

    By Glenn Doggrell
    ASSISTANT SAN DIEGO COUNTY ARTS EDITOR
    Originally printed in The Los Angeles Times
    Friday, December 28, 1990

    SAN DIEGO — Sam Kinison will not be replacing Walt Disney as a staple in family entertainment for a while.

    At least not until he quits graphically describing what he considers disgusting homosexual habits.

    Or graphically describing sexual acts. Or graphically describing the male anatomy.

    Playing to about 500 people Tuesday night in the main ballroom at the Hilton Hotel on Mission Bay–the first of a two-night run–Kinison, sporting a new beard, wore a black bandanna with white skulls to hold back his long hair and asked for understanding from his die-hard fans in the crowd as he makes the transition to family entertainment. In fact, he said, his HBO special, scheduled to appear in March, will even be called “The Sam Kinison Family Entertainment Hour.”

    But, you have to ask, what family? The Manson family, maybe. Certainly not the Partridge family.

    Kinison aims to shock. He’s not the funniest comedian; he’s often vulgar. To some, that’s cathartic. He does command your attention.

    Kinison’s current audience generally is considered to be 18- to 25-year-old males, but Tuesday’s crowd included a generous mix of fans, including his mother (who loved the act), bikers, women in designer dresses, construction workers, collegiate types and professionals. And several hardcore fans who had come to PAAAAAARTY!!! and hear Kinison vent his rage on:

    * Elton John: Unprintable.
    * Homosexuals: Unprintable.
    * Rap musicians: Unprintable.

    But what can be aired here are Kinison’s thoughts on Dan Quayle–or as Kinison prefers to put it, the best assassination insurance George Bush could have. Kinison describes Quayle at a Cabinet meeting:

    “Hey, Dan’s here. Anyone want anything from Burger King?”

    “If he was ever president,” Kinison continued, “we’d have to give him that ride through Dallas.”

    The rotund, 37-year-old comedian would also like to entertain the troops in Operation Desert Shield.

    “It’s a natural. These guys are 18 to 25 years old. Do they want to see Bob Hope without any women? I DON’T THINK SO!!!

    Kinison’s humor is fueled by rage, a sense of pent-up frustration at life’s injustices toward Kinison, as perceived by Kinison. He looks around and doesn’t like some of the things he sees. He rails at these demons with bellows and shouts.

    The atmosphere was not what you would expect at the Hilton. The stately ballroom had been transformed into a huge, smoke-filled bar with loud rock music drowning out conversations at the cabaret seating before the show.

    Kinison liberally doused his routine with four-letter words and gestures. A high, hoarse laugh often interrupted his rage.

    Three silver rings filled his right hand as he constantly paced the stage. The 57-minute act flew by.

    His fans raged and shouted with him. Say it again, Sam! Even when Kinison verbally attacked a man on crutches, a heckler, the crowd loved it.

    Kinison also took aim at fellow shock comic Andrew Dice Clay: “That retard in Fonzie’s jacket.” He then explained that Dice, as he calls him, didn’t have the sense not to discuss X-rated material on a show that kids were watching. “WHAT AN IDIOT! WHAT A JACKASS!” Kinison concluded.

    Kinison doesn’t help his family image when he talks about sex and aphrodisiacs, either.

    Or when he talks about drugs.

    “There should be a law that says you can smoke a fatty when you’re driving. Pot makes you a more considerate driver. You wave people past. You let them cut in front of you.”

    Or his former cocaine use at parties:

    “I didn’t get a straw, I got a garden hose.”

    But this act is a start toward a tamer Kinison. The homeless, the hungry and AIDS victims–all former Kinison targets–were spared Tuesday night. And women as sexual objects–at one time a large part of the act–only got a light dusting toward the show’s end.

    But still, Kinison has a ways to go before his show is one EVERY MOTHER COULD LOVE!!!

  • Why I Wear What I Wear: Sam Kinison, Tastefully

    Why I Wear What I Wear: Sam Kinison, Tastefully

    Originally printed in GQ
    June 1989

    Luckily, his wardrobe is more lighthearted than his humor

    HEY, KIDS! TRY THIS ONE AT HOME: Open all your doors and windows. Turn the volume on your stereo way up. Snap in a Sam Kinison comedy album, hit the “play” button and…

    “AAAAAAAWAAAARGH!!!”

    … get to meet many of your neighbors right away. Yessiree. Sam Kinison, that weird-looking, long-haired, overcoat-clad Prince of Public Obscenity, that Round Mound of Vituperation, tends to bring people together. Angry people. People who, for … some reason, take offense at his mega-decibel attacks on just about everybody. Last year, Warner Bros. Records took the unprecedented step of printing a public disclaimer – “THE MATERIAL ON THIS ALBUM DOES NOT REFLECT THE VIEWS OR OPINIONS OF WARNER RECORDS” – on the cover of Kinison’s live-concert album, Have You Seen Me Lately?

    What Warners just might have been worried about was Kinison’s onstage endorsement of misogyny (“I don’t worry about terrorism. I was married for TWO YEARS!!!!) and take on rock stars speaking out against drugs (“‘Rock Against Drugs’? Somebody must have been high when they came up with that title. It’s like ‘Christians Against Christ.’ Rock CREATED DRUGS!!!) and on drunk driving (“We don’t want to. You don’t get *&%$!!-ed up to see how well you do on the test later. But there’s not other way to get our *&%*!!! CAR BACK TO THE HOUSE!!!!”)

    There’s no doubt, however, that Warners is disclaiming Kinison’s remarks about gays and AIDS. “Heterosexuals die of it, too?” he asks rhetorically on the album. Then: “NAME ONE!!!!!!”

    To counterbalance this screed, the record company will be including information sheets about AIDS in future pressings of Kinison’s records. But it is too later to deflect the outrage that numerous gay and women’s groups have expressed over Kinison’s sense of humor.

    On the other hand, thousand of rabid fans – and a few critics, too – have shown admiration for Kinison. To them, his ear-splitting jokes are a sort of much-needed psychic Drano – and Kinison is a talented combination of Lenny Bruce, Ralph Kramden and Morton Downy Jr.

    And notably, nobody has accused Kinison of putting us on – of coming by his anger and alienation dishonestly. His own life story is too authentically bizarre for that: Born thirty-five years ago in Peoria, Illinois, Kinison was the rock-and-roll-loving son of an itinerant Pentecostal preacher. When he was 15, he was sent away to a Pentecostal seminary in upstate New York. After a year and a half, he managed to escape and spent the next couple of years on the road, a Seventies hippie drifter. That’s where he rediscovered God: During the next five years and one marriage, he resumed his former life and preached the Gospel on his travels throughout the Midwest.

    God canceled his management agreement in 1978, and Kinison moved to Los Angeles to break into comedy. For a while he was the doorman at the Comedy Store on Sunset Boulevard; late at night, when only the drunks were left, he’d refine his raging, primal-scream approach to comedy. Nothing much – except poverty – happened until 1985, when Rodney Dangerfield, an admirer, got him onto his HBO special. Then came the part of the deranged prof in Dangerfield’s Back To School. The the Letterman spots, the censored drug jokes on Saturday Night Live, the albums, the MTV guest-hosting, the nationwide tours, the house in Malibu, the lead role in the United Artists film Atuk – and the $5-million lawsuit UA filed against Kinison when it didn’t like either his rewrites of his attitude and shut down the production.

    Kinison was taking a much-needed break from arduous touring when freelance writer Andy Meisler visited him at a rented house overlooking the Chateau Marmont, famous site of John Belushi’s final check-out. There were a couple of surprises: The offstage Kinison, a good-humored host who gladly led an impressive tour through his overflowing closets, breaks into asterisks, ampersands and exclamation points only every few minutes or so; and those trademark overcoats, far from being thrift-shop castoffs, are actually $1,400 European-designer originals.

    “In the last couple of years, I guess I’ve spent six figures on clothes,” says the gnomish Kinison, not at all surprised that GQ has come to call. “I figure I spend a lot of time shopping. Eight to ten days a month, I go out and buy.”

    “Yeah, I guess you could say that I’s a real clothes whore.”

    I suppose the obvious question is: Do you have good taste in clothes? I think so. Especially for a large guy. I think i bring a little sense of fashion for fat guys, to be blunt. But it’s a different kind of look – an outlaw-runaway look. Half rock star, half modern kind of pirate. A modern-day bandit chieftain.

    Are you a loud dresser?

    No. No, I don’t think so. One reason is my size. It would stand out too much. And I don’t care for real loud clothes on men. I would say that about 80 percent of my wardrobe is black.

    Which fashion trend setters do you admire?

    Mostly rock stars, I guess. I’ve always thought of my comedy in terms of rock and roll. I think Sting is real sharp. I like the stuff he wears. Clapton is a very sharp dresser, too.

    When did you first start wearing your trademarks – those big overcoats and berets?

    Just before the first HBO special. What happened was that a guy named Tom Hedley – he wrote Flashdance, and came up with the ripped sweatshirt and all that – told me that [the overcoats] were going to be really big that fall. And I thought, Well, I can get a jump on all the other comics. It would be something people could identify me with.

    And now I love ’em. They’re like those dusters from the Old West. The Long Riders, you know? And as Rodney once told me, “Hey man, you never have to worry about what you’re going to wear.” I can show up in any condition, with just about anything on underneath, and throw on the long coat and the beret and do a show.

    I’ve basically kept up with one tradition: Everytime I do a television shot, I wear a different long coat. Now I’ve got about twenty, thirty of them hanging in my closet. I’ve got one from Kenzo. Another one’s from Harrods in London. I wore that one on my second Letterman shot. But it’s funny. After I wear them once in front of an audience, I don’t want to wear them anymore.

    The beret? That was something that women put me hip to a long time ago – which was, if your hair is messed up, wear a hat.

    That makes sense. But I noticed a lot of clothes in your closet that don’t exactly fit your image as a wild man.

    Oh, sure. I’ve got some suits by Nino Cerruti, and Bernini, and a tux by Pierre Cardin. I’ve got lots and lots of dress shirts. I like those shoes by Bally, and Capezio slippers. I’m also into short leather jackets that I can just pile myself into and wear around.

    Are your onstage and offstage wardrobes any different?

    Well, I really don’t wear the long coats much offstage. That sort of changes the look completely. Also, up there I wear ripped T-shirts a lot. There’s something about being able to tear up your clothes. After the show’s over, I just like to come backstage and – GRRRRR!- rip myself out of my clothes. It feel great.

    I guess it does. Have you always been this interested in clothes?

    Even when I was a kid. See, I was raised very poor, and I got into the idea of looking good in nice clothes. I really wanted to look nice and to have the finer things in life. To look “Hollywood” and really be somebody. That seemed more important to me than to the other people around.

    Which brings up your days as a preacher. What did you wear back then? Were you better dressed than your audience?

    Yeah. A minister is almost like an entertainer. It’s important that he be dressed up, really classy. Back then I had forty-five suits -conservative three-piece suits. Basically, that was all I wore. I was “Brother Kinison” from the time I woke up to the time I went to bed.

    And it felt good. It made me feel like an executive. Like, “Hey, I’m doing something important here.”

    That reminds me: I noticed some conventional suits in your closet. Some Perry Ellis, some Ungaro. Where would you wear those suits these days?

    Oh, to a business meeting. If I was going to meet with my manager or with my lawyer. If I was going to be sued by United Artists… FOR FIVE MILLION DOLLARS!!!

    I detect a bit of hostility. Are you a hostile guy? Do you not like women , for instance?

    Like women? I &n$*!! love women. I’m just tormented by them like everybody else. For some reason the image gets interpreted as misogynic, but it’s not.

    I mean – somebody who doesn’t like women doesn’t go shopping for them, that’s for sure.

    You mean you buy clothes for your girlfriends?

    Sure. My girlfriends get bored every couple of weeks, and you have to buy them new clothes and stuff. I just go down to the stove and have them show me three or four ensembles, and they pick out what they want out of those.

    have any of your girlfriends ever tried to change your look?

    No, because I wouldn’t have listened.

    How would they dress you if they could?

    Oh, God. Probably big $%&*$ sweaters and some corduroy pants. Those big oversized shirts. I don’t know.

    Sounds awful.

    Yeah. But what else would they pick out for you? They go, “This is nice.”

    “Nice” is not exactly the word. But one more question: What do you wear when you don’t want to be recognized?

    That’s a problem. Sometimes I try something bland, like a jogging outfit. And I wear sunglasses, and a big hat. But I don’t know. Maybe it’s my size, the hair, the shape of my face. But people just look at me and see right through it.

    I’m walking down the street and people shout, “Oh! Oh! Oh!” Then I just say, “$&%**! it. I’m dead.”