Tag: Sam Kinison

  • Comedians Keep Banter Up Backstage at Fund-Raiser

    Comedians Keep Banter Up Backstage at Fund-Raiser

    By Mark Chalon Smith
    Originally printed in The Los Angeles Times
    Saturday, September 5, 1992

    ANAHEIM — Sam Kinison lived for confrontation. No sweet words and kisses from this comic–more like up-the-volume shrieks and hisses to get his message out.

    Knowing that about the man called “the beast,” a nickname Kinison did little to dispute, it was tempting to wonder what he would have thought about all the twinkling praise that engulfed his memory during a tribute at the Celebrity Theatre on Thursday. (Kinison, 38, died in April in an auto collision.)

    In fact, Robin Williams was asked that very question backstage during a tightly controlled session in which the show’s performers met with the press.

    “What–you want me to channel him?” Williams shot back. “We want an interview with the dead? . . . I’m sorry, but that would be Shirley MacLaine.”

    It was such moments that made the backstage affair as entertaining as the official show–and probably the reason that TV cameras were rolling on both sides of the curtain. (The tribute was taped by the Fox network for future airing.)

    When the good vibes weren’t on center stage, they were zipping about backstage courtesy of Kinison pals such as Williams, Rodney Dangerfield, Judy Tenuta, Pauly Shore, Richard Belzer and Jim Carrey.

    Williams called Kinison the adventurous “Chuck Yeager of comedy,” and Dangerfield described him as “electrifying–someone that can’t be duplicated.” Shore, in a lavish testimonial, said, “I just clung to him. He was my comic mentor.”

    Tenuta downplayed Kinison’s bad-boy image, claiming it was just a put-on for the spotlight. The Kinison that Tenuta knew was a sweetheart, good to his friends and family.

    Although obviously not an evening open to many hard looks at his controversial career–this was essentially a feel-good benefit to help pay off the $1 million in debts he reportedly left behind–some of the performers did allude to Kinison’s checkered past. There were a few surprising moments, especially with Tenuta.

    Angry with herself for forgetting to tell the audience a joke about her first meeting with Kinison, she offered it to the media. The gag parodied the longstanding feuds Kinison had with both feminists and homosexuals.

    “Off-stage, he was really soft and sensitive,” Tenuta cooed. “I remember when we met: It was at a NOW (National Organization for Women) meeting, and he was knitting an AIDS quilt… he told me he needed to be with other men where he could cry. I told him to go to a Dodgers game.”

    Williams, who pointed out that he mainly knew Kinison from his stage work and the times they ran into each other at comedy clubs, spent the longest stretch before the press, riding a wave of ad-lib.

    After explaining that Kinison “pushed the limits and told comics not to be afraid to try things,” Williams offered another little known fact. “One thing I knew about him that nobody else did?” Williams repeated in response to a question, “Well, he was a woman. A black woman.”

    Easily the most uncomfortable before the media was Dangerfield, who looked ready to flee at the first opportunity. (“Any more questions?” he asked–before any had been tossed out.)

    Dangerfield recalled that he gave Kinison his first national exposure by including him on a Dangerfield TV special. Later, Dangerfield created a small part for him as a crazed history professor in the 1986 movie “Back to School.”

    “Sam was different things to different people; I don’t know what he was,” Dangerfield said. “I do know that he was a tremendous artist; he had that stroke of genius. He had problems, just like everybody else. I do know that he must have made other comedians unhappy” because of his intimidating talent.

  • Comedy Review; It’s a Far Cry From Sobbing

    Comedy Review; It’s a Far Cry From Sobbing

    By Rick Vanderknyff
    Originally printed in The Los Angeles Times
    Saturday, September 5, 1992

    Tears aren’t on the lineup at Sam Kinison tribute taped in Anaheim, where comics irreverently honor their outrageous colleague

    ANAHEIM — In the ’80s, Sam Kinison served as comedy’s raw nerve, dipping below the surface of civility to become the screaming embodiment of blind, bewildered rage. If it was Morning in America, Kinison was our national hangover.

    Like most stand-up comedians, Kinison traded heavily in the commonality of everyday experience. But while most of the herd grazes contentedly among the banalities of air travel humor and glossed-up memories of bad ’60s TV, Kinison strayed off into the next field, where the grass was definitely not greener.

    Thursday in Anaheim’s Celebrity Theatre, friends and peers including Robin Williams, Rodney Dangerfield, Judy Tenuta, Pauly Shore, Jim Carrey and others gathered in what was billed as a tribute to Kinison, who was killed last April in a head-on collision on a California desert highway. The program was taped for later broadcast on Fox.

    While show-biz tributes to even the living can be treacly affairs, this nearly two-hour toast to Kinison’s memory was no place for maudlin sentiment. Said Williams: “He’s one of the few people who’d make you want to say, ‘Cremate him, and we’ll snort the ashes.’ “

    Comics did routines of five to 10 minutes, separated by film clips of Kinison projected onto screens that rose niftily from the stage. Most of the performers in a very strong lineup offered pared-down, TV-ready versions of their stage acts, with Kinison’s name evoked to varying degrees.

    It was the ever-mercurial Williams who offered the night’s most memorable set, using the occasion to launch into a manic rumination on matters of life and death, complete with a hilarious impersonation of Kinison trying to hustle his way through heaven’s gate.

    “I’m on the list! I got backstage access. Let me in!” Williams screamed in an accurate take on Kinison’s trademark howl. “Stevie Ray Vaughan–I know him!”

    Tenuta, chauffeured onstage on a Harley, offered only tangential references to Kinison (“We used to go cruising for chicks together”) but provided the evening’s most striking visual image: about 30 volunteer female “virgins” from the audience, on their backs and shaking their legs in the air while Tenuta screamed, “Release your eggs!” Jim Carrey, from the cast of “In Living Color,” offered a mock testimonial to how the real Kinison differed from the stage Kinison: “Shy, retiring, never quick to judge–that’s the Sam I knew, and I’m sorry if I’m bursting your bubble.”

    Dangerfield opened the show with a rapid-fire set of his signature one-liners (“I looked up my family tree and found out I’m the sap”) before introducing a clip of Kinison’s first TV appearance, on a Dangerfield HBO special in 1984. The bit, a crude-but-deadly take on TV coverage of the Ethiopian famine, was an audacious and entirely appropriate introduction of Kinison to the world at large.

    “You know the film crew could give him a sandwich,” Kinison said in the clip, describing a television image of a starving child. Then, taking on the role of the director: “Don’t feed him yet! He’s gotta look hungry.”

    Kinison made it his goal to be funny and discomfiting at the same time. His public struggle with personal demons and onstage airing of his uncensored thoughts made him the target of charges of everything from blasphemy to misogyny to homophobia–charges that cannot always be easily dismissed.

    “Sam loved doing everything he could to shock you, because he knew it would make you think,” said comic and close friend Carl LaBove. The argument that Kinison was merely being honest is true enough to be unsettling–Kinison usually struck closer to the bone than the more cynical shock-meisters who have found notoriety in his wake.

    But the argument that it’s healthy to freely vent our baser impulses has a dark side: the creeping implication that it is somehow dishonest to apply the test of reason and compassion to those impulses. While Kinison’s bracing presence in a too-often-staid comedy field will be missed, the demons he unleashed are likely to stick around for some time.

  • Kinison’s Friends Recall His More Compassionate Acts

    Kinison’s Friends Recall His More Compassionate Acts

    By Dennis McLellan
    TIMES STAFF WRITER
    Originally printed in The Los Angeles Times
    Wednesday, September 2, 1992

    Colleagues remember shock comic’s off-stage kindness. But the tribute they’ll tape in Anaheim won’t be syrupy

    Pacing the stage like the Pentecostal preacher he once was, Sam Kinison would work himself into a primal heat as he railed against homosexuals, AIDS victims, organized religion and one of the topics closest to his heart: Marriage.

    “Oh, Oh-h-h -h-h! Marriage is hell-l-l-l-l!” the twice-divorced comic would scream.

    With an infectious giggle and his signature banshee wail, Kinison soared into the public consciousness in the mid-’80s as the King of Shock Comedy. His detractors–and there were many–called him obscene, vitriolic and annoyingly loud. His fans–and they were legion–called him an innovator, a biting social commentator for whom no topic was taboo. Not the Crucifixion. Not sex. Not even necrophilia.

    When the 38-year-old comedian was killed in a head-on collision on his way to a show in Laughlin, Nev., in April, media reports referred to the wild stage persona and the equally wild personal life of the man who joked that his cocaine use was once so heavy he used a garden hose to inhale.

    But his friends, many of whom will be honoring the outlaw comic at a comedy tribute Thursday at the Celebrity Theatre in Anaheim, remember another Sam Kinison.

    “The partying is legendary, but there also is a side of him that was very sweet and loving, and he was very good to a lot of people,” said Richard Belzer, who first met Kinison in 1980.

    Scheduled to join Belzer on stage are Robin Williams, Rodney Dangerfield, Judy Tenuta, Carl LaBove, James Carrey and Pauly Shore. The show, which will include video clips of Kinison’s career, will be taped for a later TV broadcast on the Fox network.

    Tenuta, the accordion-playing, self-anointed Love Goddess who met Kinison in a Denver comedy club in 1985, joked that “we used to hang out cruising for chicks together, Sam and I.”

    “He was the most compassionate person I ever met in my life,” said LaBove, Kinison’s best friend and longtime opening act. “He was always there for me.”

    But don’t expect a stream of sugary testimonials Thursday night. According to Belzer, “The tribute is going to be a life-affirming thing rather than maudlin.”

    “There won’t be a lot of reminiscing,” said Bill Kinison, Sam’s brother and manager who is serving as executive producer of the show. “It will be kind of a ‘Heaven Can Wait’ type set with a lot of smoke and things like that. The story line is basically whether or not Sam makes it (to heaven).”

    That seems an altogether fitting premise for a tribute to the outlaw comic with the hell-bound persona. Yet despite Sam’s penchant for the sacrilegious on stage, Kinison said, his brother never lost his own faith.

    “He was a strong believer,” he said. “His unhappiness was with religion and never his commitment to God.” With a laugh, Kinison added, “I don’t know if you’re going to have a lot of Christians who are going to believe that.”

    Proceeds from the tribute, according to Kinison, will go to his brother’s estate. At the time of Sam’s death, Kinison said, he was nearly $1 million in debt. “After he died and I looked at the estate I thought, ‘Well, if you can die a million in debt, you can say you enjoyed life.’ “

    Kinison feels a comedy tribute is the kind his brother would have wanted. “And I think just about all the entertainers who are involved are involved because of the contribution he made. When I watched ‘Comic Relief’ this year, there was not only the (raw) language but the (controversial) viewpoints that you probably wouldn’t have seen on HBO or on television if it hadn’t been for Sam breaking down all the walls.”

    Bill Kinison believes his brother belongs in the same camp as such boundary-stretching predecessors as Lenny Bruce and Richard Pryor. “What he brought–and they also brought–is being totally honest on stage. Even to a fault. There’s a lot of people who would not have agreed with Sam’s views on things, but he was honest on stage about it.”

    Tenuta agreed.

    “He was dealing with his demons on stage,” she said. “It was really refreshing to see someone just sort of take issues by the horns and really go to the root of it. He was just very funny. And you never felt that there’s this structure of ‘joke,’ like it’s a newscast.”

    Says LaBove: “Sam was the first guy to bring that kind of everyday anger, that stress you have in a car, in a marriage–all that stuff–and just blowing it out.”

    LaBove remembers first meeting Kinison in Texas in 1979 when they both were starting out in stand-up at a legendary Houston club called the Comedy Workshop.

    From the start, LaBove said, “Sam always had the stage presence because he had come from the ministry. Even when he didn’t have great ideas, he was always interesting.”

    As for Kinison’s legendary use of drugs, LaBove said “he was repressed as a preacher’s kid and as a preacher he was someone people looked up to for spiritual guidance. He didn’t have a lot of opportunities to experiment. He started late in everything, so actually he was going through his teen-age years when he passed away.”

    LaBove was riding in a van with Bill Kinison behind Sam’s car when the pickup driven by a teen-ager who had been drinking slammed into the comedian’s Pontiac Trans-Am. Malika, Sam’s longtime girlfriend and wife of less than a week, was knocked unconscious.

    It was LaBove who held Kinison just before he died. At first, the comedian protested that he didn’t want to die. But as LaBove told The Times after the accident, Kinison paused as if listening to a voice from above. Then he said, “OK, OK, OK.” And then, softly and sweetly, he uttered a final “OK.”

    “At the time I knew in my soul it was the moment of death,” said LaBove, adding that he has since found a sense of peace from hearing Kinison’s final words. “I’ve watched my father pass away and other people pass away, and there is a moment where it seems someone comes to get you or you see something and it really relaxes you. When Sam’s moment came, it seemed like Sam listened.”

    LaBove said that preparing his six-minute portion of the tribute has been an emotional ordeal.

    “As far as I’m concerned, everybody else is the stars of the show; I’m his best friend.’ I’m actually going to use this spot as my last public goodby to Sam.”

    Speaking late last week, LaBove said that “at this point, I’ll either tell stories about a friendship the public didn’t see and tell those funny stories of things he did off stage–and actually just talking to him, just staring up. I want a powerful moment. He was a powerful friend.”

  • Sam Kinison Last Stand

    Sam Kinison Last Stand

    By Jane Wollman Rusoff
    With additional reporting by A.J.S. Rayl and Jon Weiderhorn
    Originally printed in Entertainment Weekly, No. 122
    Friday, June 12, 1992

    “That’s when you know you’re pretty f—ed up, when it makes sense to fall asleep… I was driving between Needles and Barstow… It’s about 120 miles of desert… It’s four in the morning, man… Hey, this is a pretty good time to go to sleep … (SCREAMS HYSTERICALLY) So I totaled this f—in’ car out, man!… I f—in’ totaled it! And it made SENSE at the time!…” — FROM THE “SAM KINISON FAMILY ENTERTAINMENT HOUR,” APRIL 4, 1991

    IRONY OF IRONIES: On April 10, 1992, almost a year after delivering that routine on HBO, Sam Kinison was killed in a head-on collision on that same stretch of arid desert road between Needles and Barstow, Calif., the same haunted section of U.S. Highway 95 that opens Hunter S. Thompson’s Fear and Loathing in Las Vegas. A 5’8″, 275-pounder whose appetites matched his bulk, a kamikaze comic known for his piercing screams and full-bellow takes on sex, religion, and drugs, Kinison was heading for a stand-up gig in Laughlin, Nev., five days after marrying his third wife, Malika Souiri, 27. Eleven miles north of Needles, a pickup driven by an allegedly beer-drinking 17-year-old smashed into Kinison’s Pontiac, leaving Souiri unconscious and the 38-year old comedian dead.

    The greatest irony of all: Everyone thought he’d die sooner. With his massive addiction to alcohol and drugs, Kinison had been pegged by his friends and even by himself for a John Belushi-style demise. He once joked with friends that he’s probably be found dead one day “with a couple of 16-year-old girls in a cheap motel with an ounce of blow and a scissors sticking out of my back.” That he should die just when he seemed to be chasing the demons from his life – not exactly clean and sober, according to the autopsy report, but closer than he’d come in years – simply made no sense. And still doesn’t. In the weeks since he died, Kinison’s friends and family have tried to come to some understanding of his death and life, especially of those last bound-for-hell years.

    Analyzing Kinison, once a troubled, rebellious child and later a holy-rolling preacher, they see a study in light-and-dark contrasts. He was “a shy little huggy bear,” says guitarist Joe Walsh, and also a man who “loved turmoil – that’s what made him tick,” says comic Allan Stephan, who often toured with Kinison. He had reportedly led a Black Mass or two in his time, yet “Jesus was always near his heart,” according to former girlfriend (and Jim Bakker nemesis) Jessica Hahn. He compulsively beat up men and women, yet was so respectfully devoted to his mother, Marie, that their relationship “was almost Elvis-like,” according to Sam’s brother, Bill.

    All of us are creatures of complexity, but in Kinison the contradictions ran to wild extremes. “Most people would go to the edge,” says his friend Robin Williams. “Sam would jump over it.”

    This is the trajectory of his fall.

    THE EARLY PART of his story is well known. Born in Peoria, Ill., the third son of four boys in a family of poor preachers, he was bred into anger – whether from his upbringing in poverty, to the devil, no one was ever able to determine fully. He worked as a Pentecostal evangelist from ages 18 to 25 but eventually found his true calling in comedy. Starting at a club in Houston and gravitating to the Los Angeles laugh circuit in 1981, Kinison got his break in 1985, when Rodney Dangerfield put him on his young Comedians HBO special and gave Kinison what he would later call “the six minutes that changed my life.”

    By 1987 Kinison had sold 100,000 copies of his album Louder Than Hell, hosted Saturday Night Live, appeared in Dangerfield’s movie Back to School, befriended the likes of Jon Bon Jovi, Ted Nugent, and Howard Stern, and was pulling in as much as $50,000 per concert gig. His comedy style was unlike anything ever heard – or, in his case, unlike anything ever heard outside of a psych ward: Addressing himself to starving Ethiopians, he roared: This is sand. Nothing grows here. Know what it’s gonna be like in a hundred years? It’s gonna be sand! you live in a f–ing desert! We have deserts in America – we just don’t live in them! Why don’t you move to where the food is?

    But at the same time Kinison was telling friends that he was having major problems dealing with success. “He didn’t know who to trust,” says Walsh. “All of a sudden everybody wanted to be his friend. One time he called, depressed and crying. He said, ‘Am I blowing it?’ Sam never quite believed in himself, and it tore him up.”

    It was around this period that Kinison’s rage, never completely repressed but now stoked by cocaine, began to explode. A pummeling of comic Mark Goldstein in front of Kinison’s stand-up alma mater, the Comedy Store, forced owner Mitzi Shore to give Kinison an ultimatum: “I told him I didn’t want him around until he cleaned himself up. He left and I didn’t see him again for two years.”

    His girlfriend at the time, comedian Tamayo Otsuki (Davis Rules), found life with Kinison too rough to take. “As a person, Sam was a complete screwup,” says Otsuki. “He had a nice, soft side, like a 5-year old boy. But he was heavily into drugs. I left him about 60 times during the two years we saw each other. He’d call and leave 50 messages on my machine in one day. I finally had to disconnect my phone and move. I had to disappear because he’d come to my house and break in. He broke the window, the door, my chairs. His ego was hurt. He said, ‘How can you leave Elvis?’”

    Malika Souiri, the Las Vegas dancer he started seeing after Otsuki and who he eventually married, describes her relationship with Kinison as “up and down like a roller coaster. I stood up to Sam lots of times, and I think he respected that.” Comedian Carl LaBove isn’t quite as delicate. “It was one of those drag-down, knock-down, fight-it-out relationships,” he says. “Sam took his punches too – she’s a kick-ass girl.”

    Early in 1988, Kinison’s career began to lose momentum. In February, United Artists sued him for essentially walking out of what would have been his first starring film: Atuk, a piece of fluff about an Eskimo that goes to New York. Although the case was settled out of court, word went around that Kinison was unreliable and impossible to work with. The powerful Creative Artists Agency had already dropped him as a client. Then in May Kinison was dealt a ravaging personal blow. His brother Kevin, 28, the baby of the family, shot himself to death in his parents’ house in Tulsa after suffering a nervous breakdown. Kinison was devastated and began thinking about suicide himself. “Till the day he died,” says Bill Kinison, “Sam was still moved to tears when he talked about Kevin.”

    The comic’s 1988 concert tour took in less than previous year’s, but that didn’t stop Kinison from playing the prodigal. He was paying off a house in Malibu and renting a four-bedroom apartment in Hollywood Hills. He spent lavishly on clothing, mostly from H. Lorenzo’s on Sunset Strip. He ate at Spago, Dan Tana’s, and the Palm and often left 100 percent of the bill as a tip. “He was very extravagant,” says comedian Richard Belzer. “Every meal was a celebration.” Although he dieted on and off, Kinison was a binger by nature. Descending on Ben Frank’s one night in 1988 with Hahn, his occasional date at the time, Kinison ordered sausages, bacon, eggs, buttermilk pancakes, and biscuits. “The grease made the Exxon oil spill look mild,” says Hahn. “And after eating all that, he said, ‘I feel good – want some dessert?’”

    And there were drugs. Always drugs. Kinison’s booze and cocaine intake, never stinting, now began to rival his food consumption. In fact, a rider in his performance contract required promoters to provide an oxygen tank backstage. Its purpose: to revive him between shows. Comic Doug Bady remembers seeing Kinison “sucking on and oxygen mask before a show. I wondered how was he ever going to get out there. He looked like he was going to fall asleep or pass out. But he would undergo a transformation almost, and by the time he got on stage, he was right on.”

    Avoiding unconsciousness was also a big challenge at home. “He hated to sleep,” says Hahn. “He’d practically have to pass out first.” One of Kinison’s domestic goals was to stay up till the early morning hours to watch reruns of his favorite childhood series, The Fugitive. Among his prized possessions was a pair of bar tabs signed by the show’s star, David Janssen.

    By 1990, Kinison was an outlaw. The mere rumble of his name meant trouble. His album Leader of the Banned was selling poorly, and MTV dropped his video from its rotation. HBO backed out of a projected special. On tour, he was so high one night, according to guitarist Randy Hansen, “The audience began throwing things at him and chanting ‘Refund! Refund! Refund! He was barely able to stand up.”

    Weirdness was everywhere. In June 1990, a 320-pound man, who had met Kinison hours before, allegedly attacked Souiri, who by this time was living with Sam, while the comic was passed out upstairs. She fired off four shots from one of Kinison’s many guns. The ensuing rape trial resulted in a hung jury and the case was dismissed, but the incident helped Souiri come to a definite conclusion about her life with Kinison.

    “The party was over,” she says. “I felt it was good for us to stop everything and start to live life to its fullest.” The two made a pact to go straight, and Kinison joined an Alcoholics Anonymous chapter, where he befriended fellow member Ozzy Osbourne. In March 1990, Kinison began telling audiences he was no longer getting high.

    The sad truth was that his new leaf stayed turned over for only a few months. After that, clean and sober was more of an image than a reality for Kinison. According to Randy Hansen, “Sam told me, ‘What’s important is that the audience believes I quit. Whether I’m doing drugs or not is none of their business. What I want them to know is that I don’t encourage anything…and that I try to be a role model.’ He wanted to get rid of that image of, ‘Yeah, let’s go get f–ed-up and party.’”

    It’s said that even a fleeting exposure to the AA program can affect one’s life. So it was with Kinison. Though he was still drinking, his drug consumption went down, and he and Souiri slowly settled into a routine, non partying domestic life. The industry took notice. Kinison guest-starred on a Christmas episode of Fox’s Married…With Children in 1990, racking up the show’s highest ratings, and began negotiating for his own Fox series, Charlie Hoover.

    But maintaining the new image wasn’t easy. In July 1991, Kinison missed an hour-long appearance on The Joan Rivers Show because he was too drunk to get our of New York City’s Plaza Hotel. Rivers admits she was furious but says, “Sam was devastated by it. He was upset because he thought he might lose his role in his series, which was to start in a few months. He really cared, for all the talk about his not giving a shit. He wanted the success. He was a pro and knew that a pro has to act in a certain manner.”

    Charlie Hoover, a series of microscopic concept, featured Kinison as Tim Matheson’s 12-inch-high alter ego. Kinison didn’t put much stock in the show, but he showed up for work every day. And when it was canceled this February after a three-month run, Kinison had no regrets. He already has a few paths mapped out. On April 14, four days after he died, he was supposed to have signed with New Line Cinema, his first film contract since 1988; the two-movie deal called for a concert film and a comedy with either Arnold Schwarzenegger or Rick Moranis. That same day, Kinison was scheduled to sign with Fox for a variety show, a comedy hour patterned after the old Jackie Gleason Show, with Sandra Bernhard as his possible co star. This was going to be a good year.

    Kinison was in a celebratory mood on April 5, when he married Souiri at the Candlelight Chapel in Las Vegas. They honeymooned for two days in Hawaii. “It was the most relaxed I’d ever sen him,” says Souiri. “This time, it seemed like it was really coming together.”

    Two days later, Sam and Malika set off for his gig in Laughlin, with brother Bill and other friends following in a van. Bill saw the pickup truck heading directly toward Kinison’s car. With a steep embankment on his right, Sam had no room to maneuver. Both vehicles went straight up in the air on collision and crashed back down. Majid Khoury, Kinison’s personal assistant, who was in the van, found Sam “lying on his side diagonally across the seat, facing Malika, as if covering her at the time of impact. He was trying to get up and saying, ‘I don’t understand it. I don’t understand it. How come?’”

    Then he lost consciousness and though CPR was attempted, Kinison lived only about three or four minutes after the accident. At the hospital, Souiri says, “I forced my way in to see Sam. I wanted to kiss him. But when I tried, blood came out of his mouth. I wanted something of him. I wanted anything on me – even his blood. It may sound sick, but I put some of his blood on my chest, over my heart.”

    The death certificate states that Sam Kinison died of “multiple traumatic injuries.” The autopsy results, released May 27, showed signs of cocaine and prescription drugs in his system. The 17-year-old driver, who was allegedly drinking beer at the time of the accident, has been charged with vehicular manslaughter. A pretrial hearing was set for June 1.

    In an interview last year, Kinison said that while his career was doing just fine, life was another story. “It seems to be one tragedy followed after another,” he said. “Just about the time you think life’s perfect, and you got it just the way you want it, something else comes up that breaks your heart, devastates you. And then you gotta get over that, and try to trust again, believe again, and set up for the next tragedy.”

    Or, as he said on the highway between Needles and Barstow, “I don’t understand it.”

  • Tranquilizers, Cocaine Found in Kinison’s System

    Tranquilizers, Cocaine Found in Kinison’s System

    By Associated Press
    Originally printed in The Los Angeles Times
    Friday, May 29, 1992

    SAN BERNARDINO — Comedian Sam Kinison had traces of cocaine and tranquilizers in his system when he was killed in a head-on collision last month, an expert who reviewed autopsy findings said.

    Kinison, who told in 1990 of kicking his drug addiction, was traveling with his new wife on a desert highway April 10 when his car was hit by a truck that crossed the center line while attempting to pass traffic.

    Besides cocaine, autopsy findings indicate Kinison had the prescription tranquilizers Valium and Xantac in his system as well as the prescription painkiller codeine, said Dr. Irving Root, who retired as the San Bernardino County coroner’s chief pathologist in 1991.

    Deputy Coroner Gabriel Morales said that Kinison, 38, suffered multiple traumatic injuries to the chest cavity and died within minutes of the crash near Needles. “Drugs did not contribute to the cause of death,” Morales said. “(But) we are not saying that he wasn’t under the influence.”

  • Tribute: Sam Kinison (1953-1992)

    Tribute: Sam Kinison (1953-1992)

    By David Wild
    Originally printed in Rolling Stone, Issue 631
    May 28th, 1992

    “SAM KINISON was absolutely fearless,” says Robin Williams. “He was like a comedy combination of Chuck Yeager and Evel Kneivel. Most people go to the edge and then stop. Not Sam. He’d see the edge and then just keep going. And I think that scream he was famous for was just the sound he made on the way down.”

    That love of the edge was the key to Kinison’s appeal. And his anguished primal scream was mote than a successful comic trademark; it was a rebel yell that shook both the sensitivities of the politically correct and the “just say no” proprieties of the Reaganites. At his best, the Pentecostal preacher turned slash-and-burn comedian managed to make bad taste somehow taste good. He may very well have paved the way for less gifted loudmouth comedians. But he was also, in the words of gonzo talk show host Howard Stern – a close friend and bad-boy conspirator – “the closest thing we has to our Lenny Bruce.” That voice was silenced on April 10th, when Kinison was killed at the age of thirty-eight in a car accident near Needles, California.

    The son of a preacher man, Kinison was raised in East Peoria, Illinois, and while still a teenager found himself in the family business, spending a few years as a traveling preacher. But as an associate told ROLLING STONE in 1989, “God wasn’t big enough for Sam to hang out with.” Soon enough, Kinison found his true calling. By the early Eighties, his hyper-insensitive stand-up was drawing crowds at L.A.’s Comedy Store. His material included darkly comic observations on such topics as religion, starvation in Ethiopia and marriage (he was twice divorced). “I guess they’re tough jokes,” Kinison said in 1986. “But there’s lots of things you either laugh or cry at. And you just can’t cry.”

    “There was no censor with Sam,” says Robin Williams, one of Kinison’s earliest supporters. “It was almost like he had nonstop Tourette’s syndrome. He couldn’t stop saying the things that everyone else might think but was afraid to say. I’ll never forget the time I saw him do five incredible minutes on the subject of sodomy and then a few minutes later had him introduce me to his mother. People sometimes forget how good he was and lump him in with Dice Clay, but Sam really had the stuff.”

    “He’ll definitely be remembered,” says Rodney Dangerfield, another early booster, “because someone that funny and that wild you don’t forget.”

    With his oversized Outlaws of Comedy entourage and his babushkaed Steven Tyler-meets-the-Muppets look, Kinison often seemed more like a rock star than a comedian. He packed large concert halls, sold hundreds of thousands of records, had a hit single with his version of “Wild Thing” and made the cover of ROLLING STONE in 1989. The video for “Wild Thing” showed Kinison cavorting with PTL scandal figure Jessica Hahn (with whom Kinison had a brief and stormy affair) and a cast of well-known hard rockers. Kinison embraced the hard-living, hard-rocking metal lifestyle and befriended many musicians. The members of Motley Crue released a statement that said, “If God didn’t have a sense of humor before, he does now.” Kinison was, according to many who knew him well, a warm, generous and at times childlike man with a spiritual streak. “He hated to even hear the word religion,” says Jessica Hahn, “but he was definitely a man who loved God. He had a cross inside the lining of that long coat he used to wear. It was no joke to him.”

    Ironically, Kinison seemed to be cleaning up his act in the end. He had joined Alcoholics Anonymous, apologized to gay groups for some of his controversial AIDS material and appeared on the Fox sitcom Charlie Hoover in an attempt to prove he could behave professionally. And just five days before his death, he had married his longtime girlfriend Malika Souiri.

    “Some people seem almost disappointed that Sam didn’t die from his excesses,” says Howard Stern. “Anyone who writes that guy off as the Fatty Arbuckle of the Eighties – some wild, partying maniac with zero talent – is just completely missing the point. He was a major talent with a brilliant comic mind. Sam’s bad night was a lot more interesting than just about anyone else’s best night.”

    “I usually don’t like having comedians on my show,” says Stern, “because they’re for the most part just personas, one shtick line after another. Sam was totally different – he was utterly real. I think if Sam had fucked his own sister, he would have called me on the ait the very next day to talk about it. And he would have made it funny, too. That sort of honesty got Sam in trouble, but it was also what made him incredible to listen to.”

    “Sam could always surprise you.” says Stern. “I remember one time he was on our show, and I’d gotten an earring, and he seemed to want one, too. I told him I’d go with him. And he said: ‘Oh, no, I can’t do that. My mother will kill me.’ I said, ‘You’re overweight, you’re and admitted alcoholic, you do all this cocaine, and you’re worried about what your mother will think of an earring?’ But he was dead serious.”

    “I’ve never seen a stronger human being,” Stern says. “Anyone else would have been dead from the way Sam carried on. I remember when he called right after an AA meeting to tell me how cool it was. He was so proud of the one-month chip they’d given him. Then a month later he’d show up with a one-day chip. But he was real proud of that chip. That’s why this is all such an irony. I always thought Sam would come to his senses and say enough is enough. And according to him brother Bill, he’d come to that conclusion in the end. It’s hard to know what direction Sam would have gone in, but whatever happened to him, he would have gotten a few more great hours of stand-up out of it. And now we’ll never know.”